If You Were Me 5

Anthology film of six shorts by leading Korean directors. Park Chan-Wook, tackles racial prejudice and the economic exploitation of immigrant workers through the real-life story of a Nepalese woman in Korea. Jeong Jae-Eun, tackles the plight of a paedophile released into the community. Yeo Gyun-Dong, invites disabled actor Kim Moon-Joo to re-enact his most famous protest. Im Soon-Rye, goes for the engrained sexism of Korean men with superb wit and, Park Jin-Pyo, confronts the horror of children forced into oral surgery to improve their English-speaking ability.

Commissioned by South Korea's National Human Rights Commission, If You Were Me is an innovative omnibus film project to promote tolerance and human rights and shed light on the hardships disadvantaged people face in Korea. After the success of the first anthology, a second series, If You Were Me 2, was released this year. Five notable Korean directors - Park Kyung Hee (A Smile), Ryoo Seung Wan (Crying Fist), Jung Ji Woo, Jang Jin (Guns & Talks), and Kim Dong Won - participated in the second installment, creating shorts on human rights issues of their choosing.

Commissioned by South Korea's National Human Rights Commission, If You Were Me is an innovative omnibus film project to promote tolerance and human rights and shed light on the hardships disadvantaged people face in Korea. This third installment continues the If You Were Me tradition. Directors Jeong Yun Cheol (Marathon), Kim Hyeon Pil (Wonderful Day), Lee Mi Yeon (L'Abri), Noh Dong Seok (Boys of Tomorrow), Hong Gi Seon (The Road Taken), and Kim Gok and Kim Sun (Capitalist Manifesto: Working Men of All Countries) participated in If You Were Me 3, creating shorts on human rights issues of their choosing, ranging from labor conditions to gay rights to discrimination.

Includes shorts: Girl on the Run, The Theory & Practice of Teenage Dream, Relay, U and Me and Blue Birds on the Desk.

In this omnibus film series produced by the National Human Rights Commission, Park Jungbum explores relating to the handicapped, Lee Sangcheol and Shin Aga turn their camera on the elderly and Min Youngkeun looks at conscientious objection to military service. In Dear Duhan, Duhan suffers from brain lesions. His friend has always felt bad for Duhan but nonetheless steals an iPad from him one day. Director Park explores the conflict and friendship between a so-called normal and a handicapped person. In Bong-gu on Delivery Shin and Lee tell the tale of an old man who helps a child find his way home, only to be accused of kidnapping. And Min talks about a Jehovah’s Witness who has just been drafted and must say goodbye to his mother in Ice River, a melodrama about a man who chooses to go to prison for his conscientious and religious objections to bearing arms. Having divorced her husband in order not to send her son to prison, his mother cannot accept her son’s choice.

Despite its falling popularity, a father teaches his two children the Korean musical tradition of Pansori (one singer accompanied by one drummer).

While awaiting the publication of his fairytale about his dementia-stricken octogenarian mother, an acclaimed South Korean novelist receives news that she has passed away, so he leaves the city and returns to her village to take part in the funeral.

At the cusp of the founding of Joseon Dynasty, an envoy from China is delivering Emperor’s Ming’s Royal Seal. But nature in the form of a giant whale intervenes and swallows the royal seal. When a generous reward is offered to whomever can retrieve the royal seal from the belly of the whale, the race is on. A group of mountain bandits led by Jang Sa Jung and a group of pirates led by Yeo Wol go after the lost treasure, but who will get to to it first?

When a small island village is plagued with horrible murders, the government sends a special investigator who discovers dark secrets that trace back to a myriad of murders from the past.

Based on the great river story, The Taebaek Mountains chronicles the lasting generational conflict between proprietors and peasants in South Korea.

Once at a pagoda Mongryong Lee, a scion of a well-to-do family, meets Chunhyang, the young daughter of a courtesan and an aristocrat. Despite her low social standing she is smart and well-educated. The young people fall in love and think about marriage so that they could always be together. Mongryong is soon to go to the capital to take the state civil service exam. They part and in Chunhyang's life there appears the greedy and lustful Byun Hak-do, who tries to seduce her.

A likeable, married high school teacher spirals out of control when a student in his class begins unintentionally reminding him of his doomed first love, which ended 17 years earlier.

The collapse of a department store disturbs a local community, causing strife for some, and bringing some people closer than ever before.

A Princess in the Joseon Dynasty travels to the Qing Dynasty to marry. On the way to there, she meets a young magician and falls in love with him.

A tragic love triangle story between Hwa-yeon, a daughter of a nobleman, her true love Kwon-yoo, a servant and the man who will be King, Prince Sung-won.

A young woman is tricked into prostitution, thinking she is going to sell beverages at a village store. She soon learns about the dark world of Korea's red-light districts, where their pimps and society exploit her.

In the late evening, in Mano Design Team Office. The team members are celebrating their successful completion of work in Seongsan Electronics Project. As it gets late, everyone else leaves, but the team leader Seonggyu and core team member Heeju remain to continue their own celebration and they go to the team leader's office. The two are drunk with alcohol and the ambience. Seonggyu tries to touch Heeju and Heeju, who has a boyfriend, leaves the office refusing him. Heeju sues Seonggyu for sexual harrassment at work, but the police investigation results are unfavorable for Heeju. In fact, Sunggyu submitted CCTV recordings of when they were in good terms, as well as the financial status of Heeju stating that she has some loan to pay off. The colleagues start talking behind her back and the vicious rumor makes the situation even worse for her. Heeju is no longer considered a victim but the offender, and begins her difficult struggle.