Notes of an Itinerant Performer

The brothers of Children In The Wind deal with declining family fortunes: they must work when the father becomes sick, and eventually live with their grandfather, which means making new friends and struggling with a different environment.

Part two of Shimizu's major silent Seven Seas, a family drama of the intertwining fates of the rich, decadent Yagibashis and the far less prosperous Sone family.

In Asakusa, Tokyo, a couple of a violinist Yamano and a revue dancer Hanae lives in poverty. One day Hanae’s little sister rolls into their apartment and begins to stir things up with her riotousness.

During college military training exercises, the bond between two friends and athletic rivals is tested when one of them becomes involved with a woman who may be a prostitute.

The film is a lengthy work interweaving characters from different backgrounds and social strata in a narrative centered around the experiences of its heroine, Yumie Sone. Over two hours long, Seven Seas was released theatrically in two parts, with the first part entitled "Virginity Chapter" coming out in December 1931, while the second part, "Chastity Chapter," followed in March 1932. Near the beginning of the narrative, at a garden party given by the wealthy Yagibashi family in Tokyo, Yumie meets Takehiko, the Yagibashis' playboy son and the brother of Yumie's fiancé, Yuzuru. Yumie, a young middle-class woman, lives with her ailing father, a retired ministry official, an older sister, and a younger sister still a child (played by a very young Hideko Takamine). Takehiko, who has just returned from a trip to Europe, is attracted to Yumie and contrives to have her stay overnight at his family's mansion where he takes advantage of her.

In Depression-era Japan, a courteous bus driver carries an eclectic group of passengers from the mountainous Izu to Tokyo.

Yuki is a young, single mother supporting herself and her son, Haru, with a job as a bar hostess.

A pair of blind masseurs, an enigmatic city woman, a lonely man and his ill-behaved nephew—The Masseurs and a Woman is made up of crisscrossing miniature studies of love and family at a remote resort in the mountains. With delicate and surprising humor, Hiroshi Shimizu paints a timeless portrait of loneliness and the human need to connect.

A Japanese mountain inn patron's foot is cut by an ornamental hairpin accidentally left behind by a former patron, leading to much curiosity among the other patrons regarding her identity.

A reformatory in the remote countryside houses 200 delinquents and problem children. The teachers and caretakers face much trouble. The school is often short on water, and one day, the well runs dry.

A university professor and his wife have two sons with infantile paralysis. Through trial and error, they struggle to open a school for disabled children at their own expense. Based on a true story, it features natural child performances under Hiroshi Shimizu’s skillful direction.

In the mountain hot springs of Izu, Japan, a love triangle is waiting to happen. It is the late 1930s when the paths of a stunning woman fleeing Tokyo, a handsome bachelor and a blind masseur cross.

Raucous small-time thief Kenji falls in love with sweet and simple Yazue, but when she finds out what kind of guy he really is, she leaves him until he proves to be honest. Kenji soon finds it's not so easy to get rid of one's past.

Toshie, a young, conservative secretary-typist has fallen in love with Shozo Narita, a young man she has met through her work.

A group of female doctors travel to a remote village during their summer holiday to offer free medical care to villagers. There they must battle prejudice and superstition as much as disease.

Tetsuo Nomoto, a young college graduate tries to find a decent job by himself. Later on, he will marry his girlfriend, Machiko, whom he hides the fact that he has no job. Hardships come quickly, which forces Machiko to find a job in a bar.