Minpei Tomimoto

Utamaro, a great artist, lives to create portraits of beautiful women, and the Tokyo brothels provide his models. A world of passion swirls around him, as the women vie for lovers, and, occasionally, his art gets him into trouble.

In late 19th-century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that the praise he receives is only due to his status as his father's heir. Devastated, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully joins him.

In early post-war Osaka, three women—war widow Fusako, her Korean expat sister Natsuko, and Kumiko, Fusako's sister-in-law—descend into prostitution, all for their individual reasons.

During the Genroku era, Azusa Gennosuke, renowned in Nara as a top swordsman and a scholar, crossed swords with the Magistrate Kurobane Yatayu, who tried to force himself on Gennosuke's beloved foster-sister, Kikuno. As a result, Gennosuke's younger brother, Shichisaburo, was killed. Separated from his mother, Gennosuke found himself on the run from the officials.

A period mystery in which an unconventional priest exposes the truth behind the bizarre death of a maid in the shogun's harem. Kinuyo Tanaka stylishly plays a constantly intoxicated geisha in this all-star entertainment film.

During the era of the third Tokugawa shogun, Iemitsu, to strengthen the shogunate, many daimyo clans that did not align with the central power were dismantled. Among them, the ronin from the Higo Kato domain harbored a grudge against Yanagisawa Tajima-no-kami, who was at the forefront of these suppressions. Tajima-no-kami had two sons, Jubei and Matashiro. While Jubei was prudent and thoughtful, Matashiro was of a free-spirited nature. However, both were devoted to their father and were exceptionally skilled in the way of the sword.

In the mountainous region of Koshu, Taikahara, there was an intense power struggle between the prominent families, Tamaki and Kakukura. Facing the steward of Kakukura, Kurokawa Senjiro, was Tamaki Daisaburo, who was skilled with a handgun. Daisaburo had granted protection to the charcoal maker, Miyoshi, safeguarding a few mountains passed down from their ancestors. Daisaburo's elder brother, Iori, who had completed his training in Edo, saved Kakukura's only daughter, Koyumi, on his way back home. However, while Daisaburo rushed to Iori's aid after Koyumi was attacked by Kurokawa and his men, their family home was set ablaze.

In the fourth year of Keio (1868), defeated retainers sought to restore the Tokugawa shogunate with the help of Enomoto Takeaki's navy. Honda Koroiku was one of them. He discreetly handed a departure note to his fiancée, Otosei, the daughter of Matsudaira Soebe, and left Edo. Otosei's cousin and Koroiku's friend, Domae Daikichi, was once a brave warrior of the shogunate army. However, he had since fallen into a life of debauchery in Yanagibashi and was rumored to be involved with a geisha named Orikki.

The purple hood reveals the embezzlement of public money by officials. A remake of Masahiro Makino's 1923 film.

In Marugame Domain of Shikoku, a low-ranking foot soldier named Tagami Genbachi was envied for marrying Tsuji, the most beautiful woman in the domain. However, due to a personal grudge held by Horikawa Gentazaemon, the swordsmanship instructor, Genbachi met an untimely and bitter death through foul means within the precincts of the Hachiman Shrine. Due to the domain's oppressive treatment of those of low status, Tsuji, now with her infant son Botaro, was dispossessed of her home and exiled.

Tradition and modernity clash when a young woman inherits a sweet-making firm in Kyoto.

One night in Edo, a mysterious woman in a palanquin appeared at the moneylender Yamashiroya, revealing herself to a beautiful woman. She told the owner, Shigebē, that she had come to collect a life he owed from twenty years ago and then left. The same night, Maruiya Genbē also received a visit from the woman's palanquin, and nearby, a man named Manbē was murdered. The detective Hayanawa Gohē concluded the murder was the work of a fox spirit, but another detective, Den Shichi, skeptical of this theory, noticed footprints on the tatami and decided to investigate further.

Masked avenger Kurama Tengu and his young sidekick try to stop a mysterious adversary from assassinating a group of young warriors who want to bring down the Shogunate...

Stage director Shimamura, who is bringing western theatre to Japan, falls in love with outspoken actress Sumako Matsui, and leaves his family to be with her, while trying to keep his Art Theatre solvent.

A parody based on Kabuki plays about thieves led by the famous Soshun Kochiyama.

Shinzō, the heir of the prominent Edo lumber dealer Yamashiroya, left home when his stubborn father, Chōzaemon, dismissed his lover, the maid Oyasu. Shinzō and Oyasu set up a household near a soba shop in Fukagawa, but Shinzō struggled financially, turning to gambling and fighting, while Oyasu worked as a tea server in a theater, constantly harassed by a small-time gangster, Rikichi, for cigarette money. The only ones concerned about Shinzō and Oyasu were Shinzō’s sister, Omitu, and her dance teacher, Oyoshi. Later, Shinzō managed to get a job at another lumber dealer, but after a conflict with the detective Hansuke, who was also infatuated with Oyasu, Shinzō accidentally dropped lumber into the river and was fired. Unaware that Oyasu had borrowed money from a bar to repay the lumber dealer, Shinzō left to earn money in the Mito clan's crew quarters and ended up rescuing Rikichi from a dice game trouble.

A foot soldier from Tottori domain named Shirai Gonpachi showcased exceptional swordsmanship that even surpassed the domain's champion Honjo Sukehichi during a ceremonial match. Though Gonpachi was promised a promotion to samurai status due to his skills, Sukehichi's father Sukezaemon's intervention out of jealousy prevented this. In anger, Gonpachi killed Sukezaemon and, without realizing it, also mistakenly killed Tomoe, his lover's brother Tsushimo Uemon. Following this, he fled to Kyoto, seeking shelter at the "Murasa" inn operated by Uemon's aunt.

At the end of the Edo period - On his way back after being invited by the three Mikados of Higashi Shirakawa, Kurama Tengu was attacked by the Shinsengumi. Given the circumstances, he began to suspect a connection between the Mikado and the Shinsengumi.

The ambiguous relationship between a woman musician and her young student.

In the eleventh year of the Tenpō era, the Kawarazaki-za theater in Edo buzzed with excitement for a new production of "Kanjinchō" by Naritaya, featuring music by the master Kineya Rokusaburō. However, Naritaya's requests to change some of Rokusaburō's most painstakingly crafted parts of the composition angered his disciple, Shinjirō, leading to a conflict and Shinjirō's abandonment of the shamisen. One day, Shinjirō was captivated by the mysteriously beautiful dance of Oaki, a traveling performer's daughter, who seemed to be channeling her art into a form of revenge.