Hiroshi Mizuhara

Uta’s mother died when she was six years old; her father she never met. She was forced to adopt a traveller’s life when her grandmother died, and now she is a dancer and part of a family of actors who travel from town to town, setting up street performances. A way of escape from this marginal existence arises when she gets the chance to move to tea merchant Hiramatsu’s place, where she is asked to teach his daughter to dance.

Gang of robbers quarrel about the loot, but when one of them gets killed, his younger brother seeks them out to ice them one by one.

1961 Japanese movie

Mie Nakao runs away from home to join her older sister's production company as a new talent. We follow her ups and downs on the way to stardom as she falls in love with two men, a petty thief and a music writer and teacher, and makes her way in the industry alongside The Peanuts and The Crazy Cats.

A princess seeks adventure and true love, with help from her loyal servant.

A pair of blind masseurs, an enigmatic city woman, a lonely man and his ill-behaved nephew—The Masseurs and a Woman is made up of crisscrossing miniature studies of love and family at a remote resort in the mountains. With delicate and surprising humor, Hiroshi Shimizu paints a timeless portrait of loneliness and the human need to connect.

The second film in the "Suruga yukyoden" series, in which Shintaro Katsu plays Jirocho Shimizu. The film features Omasa, Komasa, Ocho, who will become Jirocho's wife, as well as other members of his future family. There is a particularly great swordfight near the end where Katsu and cronies attack the rival villainous yakuza clan to rescue their ailing, elderly boss. The action choreography, cinematography and editing of this sequence is quite brilliant, treading a difficult tightrope act between genuinely goofy antics and exhilirating, bloody violence.