Seven Women, Seven Sins

Mallet-Stevens Street

Commissioned for the centenary of the famous French architect and designer Robert Mallet-Stevens and shot on the street that bears his name in Paris' 16th arrondissement, Rue Mallet-Stevens depicts a mysterious, nocturnal scene of romance (featuring Akerman and her partner, the cellist Sonia Wieder-Atherton) unfolding before and inside one of the street's modernist constructions.

Letters Home

A filmed adaptation of Rose Leiman Goldemberg’s play, based on Sylvia Plath’s intense correspondence with her mother Aurelia, from the time the poet was in university until her suicide. Delphine Seyrig and her niece Coralie Seyrig recite Sylvia and Aurelia’s letters to the audience directly.

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

A lonely young widow lives with her son following an immutable order: while the boy is in school, she cares for their apartment, does chores, and receives clients in the afternoon.

Family Business

Chantal Akerman was commissioned by Visions to make this short film for £20,000. It was first shown on 21 November 1984, on Channel 4. Akerman herself plays the role of a director visiting Hollywood to find financing from an uncle she hardly knows. Very little goes to plan… Also stars Aurore Clement and Colleen Camp.

Moving In

"A man stands amid unpacked boxes in his new home, delivering an extended monologue on indecision and dislocation. This rarely seen, overlooked gem created by Akerman for television explores the quotidian crises and profound feelings of alienation that run through her work." - BAM

From the East

In this incisive dispatch from the newly collapsed Soviet empire, bullet holes from WWII still pockmark the old stone buildings. Akerman journeys from East Germany to Moscow between the late summer and winter of 1993 ('while there’s still time'), chronicling in deliberate tracking shots, circular pans, and domestic tableaux yet another moment of radical upheaval in the 20th-century, the faces and bodies of Poles, Ukrainians, Germans, and Russians weighed down with obedient resignation and uncertainty.

The Meetings of Anna

Detached filmmaker Anna Silver arrives in Germany to show her latest film; over the course of some days, she encounters a variety of new and old faces, some of whom make personal revelations to her to little affect.

Hôtel des Acacias

Several young men and women arrive one after the other at Hôtel des Acacias, full of hope, desire and vitality. In the bustle of this hotel, everyone is looking for love. Hôtel des Acacias was an exercise guided in 1982 by Chantal Akerman at Belgium’s INSAS audio-visual college.

Portrait of a Young Girl at the End of the '60s in Brussels

The main character, Michèle, spends the hour discussing her views of life with some old and new friends, and tries to understand her own feelings about her place in the world and her sexuality, while a camera follows along at close range.

Golden Eighties

In a lively shopping center, proprietors and customers are bustling, including three women vying for a man's heart with song and dance.

Chantal Akerman by Chantal Akerman

Janine Bazin and André Labarthe approached Chantal Akerman about making a film for the series; eagerly, Akerman proposed a number of filmmakers—but all had already been done. So she suggested…“How about me?” Akerman creates a fascinating self-portrait that takes us through her career, aided by critics Emmanuel Burdeau and Jean Narboni and filmmaker Luc Moullet.

Je Tu Il Elle

A woman suffers a subdued psychological breakdown in the wake of a devastating breakup.

Toute une nuit

Following over two dozen different individuals in the almost wordless atmosphere of a dark night in a Brussels town, acceptance and rejection in the realm of romance is examined.

Portrait of a Lazy Woman

Belgian director Chantal Akerman struggles to overcome her laziness in the name of making a film about the subject.

The Man with the Suitcase

A sensitivity to sounds coming from the activities of an unwelcome guest in the close quarters of an apartment is only one important component in this atmospheric, avant-garde drollery by Chantal Akerman. When the apartment owner comes home, her guest is settled in and at first, the slightly reclusive host decides simply to eat her breakfast in her room instead of having to face morning conversation with her guest. Sounds of the toilet flushing, the bath water running and splashing, footsteps pacing, and furniture moving invade the hostess' refuge in her bedroom like the frontrunners of an all-out offensive. She locks herself up for 28 days, life's detritus accumulating around her, just so she does not have to go out to face the nemesis that lurks beyond her door.

Hotel Monterey

New York City's Monterey is a residence hotel, whose inhabitants are older and primarily live alone. The camera, usually stationery, observes the lobby. No score, the lobby is clean with granite floors, men wear hats, people enter and exit an elevator, the camera looks out from within the elevator as doors open and close. People sit alone and motionless in their apartments. There are long shots of empty halls. Paint peels. The flooring on upper levels is linoleum. Hall lights are florescent. Doors open a crack then close.

Radiance

The story follows the social intercourse between a cameraman, Masaya, with a visual impairment, and Misako who disconnects from the world.

Pay It Forward

Like some other kids, 12-year-old Trevor McKinney believed in the goodness of human nature. Like many other kids, he was determined to change the world for the better. Unlike most other kids, he succeeded.

What a Girl Wants

American Daphne Reynolds heads to Europe in search of the father she's never met. But instead of finding a British version of her boho mother, she learns the love of her mom's life is an uptight politician. The only problem now is that her long-lost father is engaged to a fiercely territorial social climber with a daughter who makes Daphne's life miserable.

The Nanny Diaries

A college graduate goes to work as a nanny for a rich New York family. Ensconced in their home, she has to juggle their dysfunction, a new romance, and the spoiled brat in her charge.

The Last Supper

A group of idealistic but frustrated liberals succumb to the temptation of murdering right-wing pundits for their political beliefs.

Titus

Titus Andronicus returns from the wars and sees his sons and daughters taken from him, one by one. Shakespeare's goriest and earliest tragedy.

Catch and Release

For a grieving fiancée, learning to love again requires the help of her late love's three best friends.