The Abyss

Collective film with five segments around the works and life of brazilian writer Oswald de Andrade.

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

Two young men decide to go to the cinema. However, since their tastes are very strict, they end up in a quarrel.

Ângela Carne e Osso (Angela Meat and Bone), a young nymphomaniac, lives surrounded by delinquents, and exerts intense allure on them, dominating them all with her erotic power.

Born and raised in the misery of Brazilian slums, Jorge becomes a luxury house burglar in São Paulo and gets nicknamed "The Red Light Bandit" by the sensationalist press. In addition to wearing a red flashlight, he talks to his hostages in an irreverent tone and makes bold breakthroughs to later spend the money extravagantly. His world is the decadent neighbourhood of Boca do Lixo.

A documentary about Orson Welles's unfinished three-part film about South America.

Segment "Prólogo": interviews and scenes with some of the most important filmmakers of the "Boca do Lixo" of São Paulo. Segment "A Badaladíssima dos Trópicos x Os Picaretas do Sexo": shenanigans of a troubled fictional film production. Segment "Amor 69": Actress Maria Vargas is expected to appear nude in a scene, but ultimately refuses to do so.

Orson Welles acted in Brazilian culture and music by deeply researching Brazil's historical geology, consciously completing a legendary cultural mission. Although being turned down by Hollywood producers, he developed a triumphantly accomplished mission in the language domain - three friends of Welles' testified his love for cinema, his passion for Brazilian music and people and his obstinate endurance against formidable pressures coming from inside and outside Hollywood regarding his unfinished "It's All True".

Sônia and her homosexual brother are both believed by their mother to be possessed by the devil. She works as a prostitute in the streets of Copacabana and he’s a servant who falls madly in love with his employer.

Edson is having an affair with actress Maria do Rosário, who dreams of being a movie director. So he tries to get some easy money for her film, but is arrested and meets a police torturer instead.

Register a popular celebration related to a battle fought in the city of Irani, starting point of Contestado War at Santa Catarina State, Brazil in 1912.

Loosely based on an Oswald de Andrade screenplay, "Perigo Negro" is a segment of anthology film "Oswaldianas" which deals with a uprising soccer player who has his career spoiled by a unscrupulous gambler

Daily scenes of a grotesque family living in the metaphorical island of Babaloo.

A film essay about Brazil discovered through Orson Welles' eyes during the shooting of It's All True.

A documentary based on the book Umbanda no Brasil by the scholar Mata e Silva, who is interviewed by the director. The book studies the Brazilian religion known as spiritism, a syncretism of African beliefs and magical rites, Indian beliefs and images, and Catholic symbols.