Wilson Grey

The youngest daughter of a rich man has been raped by five black men in the slums of Rio de Janeiro, and her father arranges her marriage to one of his employees in order to save the family’s honor.

The story of two radically different men thrown together in a Latin American prison cell. One is Valentin, a journalist being tortured for his political beliefs. The other is Molina, a gay window-dresser who fills their lonely nights by spinning romantic fantasies drawn from memories of old movies.

Clara directs the rehearsals of a theatrical play about Fernando Pessoa while constantly seeking the right man and the love of his life. One of the actresses is the lesbian Ana, who interprets the poet Mário de Sá Carneiro. She is Clara's friend and confidant with whom she shares an apartment. Clara does not perceive Ana's love for her, that always helps her to recover from the disappointments. Unlike the character Sá Carneiro, poet of decadentism, nostalgia, metaphysics and vague, Ana is the pragmatic side of Clara, who often brings a disillusioned vision as if it were Fernando Pessoa himself, who may be associated with concepts of the poet's heteronyms.

A three-episode anthology film based on short stories by Brazilian writer Graciliano Ramos.

An architect has his family brutally murdered and leaves for relentless vengeance.

Barber's jeep crash against crazy scientist's house, where the latter was building a time-machine. The crash triggers the machine, taking them to Gaza kingdom, circa 1153 B.C., where they get involved in many funny situations. Spoof of Cecil B. DeMille's Samson and Delilah

Cropped hair, a rosemary branch behind the ear, yellow shirt of shiny satin, he's behind the wheel of his car when passing by a woman who walks by the roadside. Strongly painted lips, printed dress with round skirt and red shoes matching the color of the lipstick, she catches his attention. He gives her a ride, the two of them stare in silence for a few moments. They introduce themselves to one another and between the two establishes an absurd dialogue and full of metaphors. And they are driving around in corners of Rio de Janeiro, to the sound of Noel Rosa and Lamartine Babo. Eva and Antena, she a seer, he, an assassin on the run, initiate an unusual case of love, a marginal love, where boredom often gives way to tragedy, creating the agony of a holiday spent in an abyss.

Inspired by the life of one of the most famous policemen in the history of Brazil: detective Perpétuo de Freitas, immortalized in the annals of Brazilian criminal history for relentlessly pursuing and without the slightest assistance of the Rio police force one of the most wanted criminals in the country.

A lady, owner of a large area of land where it is believed there are several oil wells, is almost fooled by the president of a pseudo petroleum company into giving up her property for nothing, but is saved by his son's noble intervention.

Romantic biography of Maria Bonita, daughter of a poor farmer who was kidnapped by Lampião and became his lover.

Two stories chronicle the days of the bohemian, libertine youth of 1960s Rio de Janeiro.

Strange graffiti on the walls of Rio de Janeiro, with the meaningless words Lerfá Mú, become the talk of the town, and cause for concern for the authorities.

Reg owns the store "Tem Tudo... E Muito Mais" (Has Everything... And Much More). To satisfy his customers, he is forced to perform the most strange functions.

The film depicts the arrival of immigrants in the city of Espírito Santo following the history of Carlos, an Italian who struggles for his place against Hermann Gunter, a German colonist who rules the region.

The biography of the singer Francisco Alves. It narrates his father's opposition to his singing, his adventure in the circus, his love affairs and breakups, his discovery in a bar at dawn and, finally, his success cut short when he died in 1952 in a car accident.

After the funeral of her father Arnaldo, who committed suicide, Engraçadinha confesses to the priest the motives. On the engagement party of her cousin Sílvio with Letícia, Engraçadinha seduces him in the library, and later she ends her engagement with Zózimo and lies to Letícia, telling that she is pregnant. Letícia decides to tell Arnaldo what happened, and he says that the child can not be born. He exposes dirty secrets to Engraçadinha, and a tragedy is announced.

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

Cousins ​​Charlô and Otávio once had a romance, but today they detest each other. However, fate plays a trick on them: they will receive a large inheritance, on the condition that they live together.

The story follows the lives of Naná and Gegê, a pair of con artists. Gegê is the uncle of Tina Pepper, a Tina Turner fan who dreams of becoming a famous singer.

In the backlands, the drover Ricardo marks the destiny of young Maria. Years later, in Xique-Xique, a mistake between two identical women rekindles passions, separations, and an impossible love.

Determined to secure the release of her father—imprisoned for advocating communism—Sílvia travels to Rio de Janeiro, where she finds work as a chorus girl at the Cassino da Urca. There, she meets and falls in love with a croupier named Tide. Sílvia becomes a celebrated beauty of Rio's nightlife but is blackmailed by a Nazi named Jofre; he promises to help free her father if she marries Michael, an Englishman from whom Jofre intends to steal a map to a uranium mine.