The Dating Menu

Hong Kong's massive and unprecedented public protests and demonstrations in early July 2003 are documented in July. The film shows individual and mass reactions to the proposed national security legislation. It preserves the speeches, songs, chants, posters, and banners, as well as the atmosphere, for those who were there, and introduces them to those who were not. As such, July is a record of events that could not occur anywhere else in China.

After his success as a martial arts film star, WONG Joi made a fatal decision to write and direct his debut feature Golden Sword Woman, with his beloved wife Mei-fung starring as the eponymous heroine. Years later, a senile, demented WONG, who keeps blabbering about his ‘groundbreaking’ debut, is being taken care of by his grudging son Ho. The film parodies the visual style of the Shaw Brothers martial arts films to tell the story of a contemporary father-and-son conflict and reconciliation. Golden Sword Woman travels in time and between both sides of the silver screen, between the romantic world of swordsmen and the unpromising, secular family life.

Veteran filmmaker Mary Stephen digs into her own family past to uncover the long-hidden origins of her Western surname, revealing a story of culture shock, colonialism, and contested remembrance.

Newly arrived in Hong Kong, language teacher Xiao-xue is fascinated by the mysterious dot graffiti around subway stations and tries to discover its meaning.

A 28-year-old I.T. geek suddenly finds himself the object of affection for five attractive women within the same year. The quintet share virtually no similar traits except one quirky thing: they all live in remote corners of Hong Kong.

After wiping out the other six states and unifying the ancient China, the ambitious Emperor Qin developed the secret technology to immortality at the expense of these states, by combining humans and machines to extend all lifespans to infinity

Everyphone Everywhere’s cross-cutting narrative brings together a large set of players within the mobile-communications theme. First there’s designer Chung Chit (Endy Chow), who rushes to catch a ferry and leaves his phone at home. There’s no time to retrieve the device, so he tries to soldier on without it – and the results are eye-opening. Eventually, he’ll need to call his wife Ivy (Cecilia Choi) to awkwardly help him out. Meanwhile, soon-to-emigrate middle manager Raymond Ho (Peter Chan) starts his day with his WhatsApp account hacked and frozen. Broken contacts aside, his big fear is exposure of shady workplace practices and possible blackmail or arrest. Then there’s Ana (Rosa Maria Velasco), an old classmate of theirs who’s waiting in a private kitchen and getting odd messages. And all the time a young lady, Yanki (Amy Tang), and a nerdy computer wiz (Henick Chou) are busy using messaging apps for sleazy purposes.

The financial analysis of a Chinese IT firm has been stolen, and a senior executive at the investment bank that wrote it must pay a ransom before the confidential report is released to the public. However, eyebrows are raised when the thieves ask for a surprisingly low amount for the ransom. What are the thieves really after?

A documentary on madness, by Hong Kong director Yan Yan Mak and singer-songwriter Denise Ho. Inspired by the classic "Ten Days in A Madhouse"

Who lost their memory? Why did you forget your story? Where is my hometown? Home Kong is an 8-minute short film comprising only 3 drone shots. A tale of 2 cities. A co-production between Hong Kong and Taiwan.

She is a Hong Kong journalist, and he is a national security personnel from China. They met each other while traveling in North Korea and later hung out to see a play together in Shanghai. In 2019, they lost contact. Five years later, they reunite when he is reassigned to Hong Kong. Is she still holding a grudge, or is water under the bridge now?

A lonely man is hired to take care of the to-be-demolished Cheung Chau Cinema. He is greeted by a dog, two kids, and a mysterious granny who calls everyday. The film was shot in the ruin of Cheung Chau Cinema, locating in Cheung Chau, an island in Hong Kong. Before saying goodbye, he organises his own screening of The One-Armed Swordsman (1967) directed by Chang Cheh.

Waking up on time. Starting work on time. Leaving the office on time. Having meals on time. Going to sleep on time. He works in a micro space station on a tiny moon orbiting a mega planet, day after day, night after night. Is it real? Is it life? He never thinks about questions like these until she shows up. She wants to disrupt his routine. She tries to short-circuit him. Why does she want to do that? Can she succeed in saving him from this loop?