The Decameron

Leaving In Sorrow is a gritty, realistic portrayal of Hong Kong in the aftermath of the Asian Financial Crisis. It is the first Hong Kong production filmed in the "Dogme 95" style, using hand-held cameras, natural lighting, and real locations. The film follows a disparate group of characters--including a pastor, a magazine editor, and a slacker from San Francisco--who find their lives suddenly turned upside down by events beyond their control.

Flavia is a thirtysomething married teacher. She has suppressed the memory of her adolescent lesbian fling with Jin and is stuck in a stifling marriage. A chance encounter in a supermarket with the playful and seductive singer Yip reawakens dormant feelings and she begins to think back on her teenage affair with Jin.

The film gets under the skin of a very marginalized group: recent immigrants to Hong Kong from Mainland China. Belying the expectation that they will belong in a territory now returned to China's sovereignty, they find themselves lonely, frustrated, poor, and employable only in the most menial jobs, from elevator service staff to prostitution.

The story of two women, two generations apart, who coincidentally return to Hong Kong from San Francisco where they had their first, fleeting encounter on the streets as strangers.

Siu, in her seventies, once again endures cruel and unreasonable threats and abuse from her son at home. Having endured it all her life, she determined to push the old sofa that should have been discarded long ago out of her home.

This "Cities of Love" episode takes us to one of the most fascinating cities in the world. Shanghai stands for a long history of sensuality, intrigues and mystery.

Slight @ Love More HK

Two travelers’ (a Hong Kong independent director and a Japanese musician) motorcycle diaries in northern China from November 2005 to February 2006. Forget all the vital intellectual and history garbage and get down to the real simple, good human feeling – and express it in a simple language that reaches people. No bullshit! (Or all bullshit?) Under the sound of the motor, Yanyan’s visual and Dean’s music weaves into each other; and shows the healing power of the trip to both the Chinese and Japanese souls. Everybody, at a certain point, is a little lost and sometimes we just find a connection to someone that helps to re-inspire or center us. And that experience we'll never forget. It’s a special relationship in real life - a little bit more than friends but not an actual romance. They get each other and they both know it's not going to go anywhere.

The film follows a girl in Hong Kong between her uncle’s dressmaking shop and her studies; between young and youth. Based on a story by Wai Chan.