Ostap Bandura

Russian Empire, 19th century. Poor Nykanor leaves his village and becomes a miner in the Donbas. His son Ostap also becomes a miner and works in the mine for thirty years, but after his father's sudden dismissal, he realizes that the state system needs radical changes.

Soviet sailors boldly defend Leningrad from the German fascists.

Dedicated to the development of the oil industry of Soviet Azerbaijan in the background of the first half of the twentieth century, including their selfless work in strengthening the economic and military might of the USSR.

The Government of the fictional country Norland has unleashed a war with the neighboring Galikania and is suffering one defeat after another. A group of conspirators who were dissatisfied with this state of affairs, led by the Social Democrat Frank Frey arrange a coup to overthrew the emperor of Norland. But the working class does not like the new order either. Workers expose Frank Frey's policy of continuing the war and a revolution breaks out in the country. The leader of the socialist revolution becomes a mechanic of the name Franz Stark.

Anton Ivanovich Voronov is a highly respected professor at the Moscow Conservatoire, who places the music of Bach above everything else and regards it as the ultimate yardstick by which other musical accomplishments must be measured. His daughter, Serafima, is an aspiring singer with great potential, and her father’s anger is aroused when she begins singing in the operetta composed by Aleksei Mukhin, thus abandoning what he considers the higher calling of opera. Mukhin’s work, however, demands a high level of ability from his soloist, and Anton Ivanovich is persuaded of the legitimacy of operetta as a musical genre when, in a dream, he is visited by Johann Sebastian Bach himself, who tells him that ‘people need all kinds of music’.

A graduate of a choreographic school is looking for a new style for her part in the ballet "Sleeping Beauty". Alexei, a conservatory student, falls in love with the young ballerina.

The last and only surviving (partially lost) silent film by director and actor Yevgeny Chervyakov. The film adaptation is distinguished by the accuracy of the psychological characteristics of the numerous characters, the detail of everyday sketches of life in Germany and Russia, and the conveyance of the atmosphere of the events of the First World War and the Civil War.

The film shows one of the heroes of the uprising of the Belarusian, Lithuanian and Polish people against forced Russification and the restoration of Poland's independence in 1863.

During World War 1 a Russian soldier serves in Russian Expeditionary Force in France where he is chosen for his marksmanship and trained as a skilled sniper. After the Russian revolution the soldier returns home while his commander fights against the Soviet Russia. In 1930 the former soldier works on a factory and also he is the instructor in shooting club. Once the town that is near the Soviet border is attacked by foreign troops (the hostile state isn't named but the uniform of the soldiers resembles Finnish). The character meets againt with his former commander who serves in invading forces.

The story of an effort to catch "wreckers" at work in a Soviet factory. The film’s title-song called "The Song of the Counterplan", composed by Dmitri Shostakovich, became world famous and was adapted into "Au-devant de la vie", a notable song of the French socialist movement of the 1930s.

In an unnamed English-speaking capitalist land, a young engineer invents inexhaustible giant robots to replace the fragile human workers on high-volume assembly-lines, and soon finds his invention co-opted by the military-industrial complex.

Depicts Russian Tsar Peter the First's conquest over the Swedes and his son Aleksey's plot to overthrow him.

Don Cossack Stepan Razin vowed to take revenge on the boyars for his tortured friends. Having led the rebellious peasants, he becomes the leader of an entire army. Humiliated and insulted people flock to him from all over the Russian land.

Docu-drama about political and military conflict during the Russian Civil War in 1918, from an orthodox pro-Communist viewpoint.

The eve of the 1905 Russian revolution was unquiet at the Skrobotova and Bardin factory. In response to the fair demand of the workers to dismiss the cruel and rude master, the masters close the factory and call in the troops. They shoot of one of the workers, who failed to restrain a rush of hatred towards the owners, ending Skrobotov's life. Gendarmes arrive at the factory. They succeed in uncovering the social democratic organization in the factory. The arrested workers oppose hysterical cruelty of gendarmes with calm, confident courage.

Five-episode adaptation of the eponymous Russian novel, directed by Pyotr Chardynin et al.