Ivan Kapralov

The defeated remnants of vile Ukrainian nationalists, headed by the leader of the Ukrainian liberation movement, Symon Petliura, cannot accept their historical fate and are plotting an insurrection against the Soviet regime in Ukraine. There is nothing Petliura and his cohorts would not do to win back control over Ukraine, including selling it to the highest bidder, in this case, the Polish dictator Jozef Pilsudski. A group of plotters are coordinating an insurrection in Kyiv with an attack from Poland headed by Petliura’s general Yurko Tiutiunnyk. Predictably, the invincible Red Army defeats the nationalist plotters and proves that the Soviet borders are impregnable.

The Soviet embassy in England sends two couriers with diplomatic mail to Leningrad. The inspector of security police, White, and a group of policemen attack the Soviet diplomatic couriers at night. The documents get to an English trackman, who gives them to his son, a sailor in Portsmouth.

The Government of the fictional country Norland has unleashed a war with the neighboring Galikania and is suffering one defeat after another. A group of conspirators who were dissatisfied with this state of affairs, led by the Social Democrat Frank Frey arrange a coup to overthrew the emperor of Norland. But the working class does not like the new order either. Workers expose Frank Frey's policy of continuing the war and a revolution breaks out in the country. The leader of the socialist revolution becomes a mechanic of the name Franz Stark.

The first Ukrainian adventure detective story. The action takes place in Odesa in 1920, occupied by Denikin's troops. The White Guard counterintelligence conducts a fruitless search for the Bolshevik agent "7+2". The search is led by officer Enger. Dizzying races, disasters, and murders further confuse the agent's trail. It is only with the arrival of the Bolsheviks that the case is solved. Incompletely preserved

The film adaptation of Taras Shevchenko’s biography of 1925 is the first Ukrainian biopic. At that time, it was one of the most expensive films, as for the first time experts in history, ethnography, and literary studies were involved in pre-production. Consisting of numerous short stories, the film that shows the life of Shevchenko as an adolescent, a soldier, a poet, was successfully demonstrated in Ukraine and abroad and became the most acknowledged cinema project of 1926.

It's the 17th century, when social antagonism is at its peak. The poverty of peasants and poor Cossacks is opposed to the lavish lifestyle of the Ukrainian and Polish noblemen, priests, and Cossack officers. Cossacks fight off Tatars’ attacks, however, they start to realise that the real enemy is much closer. Taras Triasylo raises Cossacks to help the rebellious peasants.

Based on the work of the same name by the Russian writer G. Danilevsky.

The tragic story of a young woman named Yulia, who fell in love with a married man and lost her only child.

About a clash on the open sea between Soviet sailors and a group of White Guard officers. Lost movie.

Mid-19th century. An elderly landowner, bored with life, organizes balls, hunts, fistfights, and banquets. Among other things, he offers his serfs and serf women to his guests for sale or entertainment. One of them, Vanka Krasnov, dreams of marrying the noblewoman Aksyusha. To do so, he must defeat the village strongman Mitka in a fistfight. But even after a fair victory, the landowner himself tries to take possession of Aksyusha. Vanka must challenge the master himself. Considered lost.

An agit-film about the struggle of Ukrainian peasants against the White Poles. A young woman, the daughter of a blacksmith taken prisoner by the White Poles, and a Red commander organise a partisan unit. One scene depicts the capture of a Polish landowner attempting to elude capture. He had been hiding from the Red Army soldiers in a barrel. The peasants nailed the barrel shut and, having inscribed the words: ‘To Warsaw – to Mr Piłsudski’, threw it into the Dnieper. Lost film.

The struggle of the Chuvash peasants against the large landowners for the implementation of the Land Law. Partially lost.

Algeria, run by the French administration. Tamilla is a cheerful girl whose father, a respected member of the Méziane community of Kabylians, is looking for a favorable marriage. Mezian promises his daughter to the old merchant Lakhrash. This does not prevent him from selling Tamilla almost immediately for the second time, this time to a young handsome man named Akli, with whom the girl experiences short-term happiness. But later, Akli thinks about another wife. At the same time, Meziane is scheming to lure more money from Akli and pay off Lakhrash. Having already given birth to a child with Akli, Tamilla finally falls into Lakhrash's hands. Everything ends in tragedy, and Tamilla is imprisoned by an unjust sentence of French judges who are insensitive to Berber problems. Although Tamilla will be released, she is already "damaged goods". The film premiered in Turkey 92 years later with a special screening at the 56th Antalya Golden Orange Film Festival.

Set in an imaginary land where the threat of revolution spurs the Emperor to seek exile in one of the most distant parts of his realm. There he meets Elka, the daughter of a revolutionary who has been banished here due to his confrontational activities. The two fall in love but meet a violent end when the revolutionaries, led by Elka's father, destroy the palace.

Ukrainian Soviet film about the fate of a young Ukrainian peasant who became a participant in the revolutionary struggle.

The “Transbalt“ vessel is to deliver a cargo of salt to Far Eastern fishermen who have made increased commitments. The crew makes a counter-commitment to provide the fishermen with salt ahead of schedule. But on the way to Vladivostok, one of the ship's boilers explodes. A storm begins. Overcoming incredible difficulties, the crew completes the task. 

The film takes place somewhere abroad. One of the characters in the film, novice Morne, rescues a fisherman girl, Armela, who loses her mind from terror and seriously begins to believe that she is the "goddess of the winds". The monks of the monastery use this not without benefit. Armela's father finds his daughter and takes her home. Morne, in love with the girl, leaves the monastery and returns to his former profession of an artist. Soon Armela recovers and marries Morne.