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The maximum nonsense of life plays with the feelings of the owner and the employees of a tennis complex.

The ultimate nonsense of life itself plays with the feelings of the owner and employees of a tennis complex, in an anarchic melodrama out of all norms, including spelling.

The final match of the "tennis trilogy" sharpens the humor to the maximum and unleashes all the dramas -some of them, even beaten to death- between the owner and the employees of the complex, with strange melancholic notes and new characters that join the ordeal in its last station.

A woman who suffered a serious incident with a violent tennis player -in other video of herself- now dates a shy, insecure jazz musician from Ramos Mejía, but she feels stronger and more glad with everything.

A wandering man drifts through La Plata's train station, becoming a lens through which we experience various scenes and moments from the Argentine city's daily life.

An employee at a private school is promoted and beyond that she has the strength to attack her dead husband for not being a man when he was traveling with her in a bus.

Iván is a Spanish film producer who travels to Argentina with a single mission: to meet Carmen Trevilla, a cult director who is in the creative process of her new “video.” From minute zero, he feels captivated by her overwhelming and disconcerting presence. Although he still does not know if he is going to produce it – since he thinks that his cinema will not be well received by current European sensibilities – Iván takes advantage of every moment with Carmen to record, with his cell phone in his hand and an endless smile on his face, every adventure they embark on.

A woman who suffered a serious incident with a violent tennis player -in other video of herself- now dates a shy, insecure jazz musician from Ramos Mejía, but she feels stronger and more glad with everything.

The final match of the "tennis trilogy" sharpens the humor to the maximum and unleashes all the dramas -some of them, even beaten to death- between the owner and the employees of the complex, with strange melancholic notes and new characters that join the ordeal in its last station.

“what happens if a woman from Spain tells you she's friends with Antonio López, the person you almost admire the +, and that thanks to her you'll get to meet that man for real”

"the presenters' universe"

The maximum nonsense of life plays with the feelings of the owner and the employees of a tennis complex.

"What if Dumbo identifies as another animal? once, someone I respected gave me their personal card. Months later, a Canadian also gave me their personal card. Months later, I wanted to make a video as if those cards were people, and to those cards I added other deeply important fantasies."

"a tiny group of people traveling together who decide they won't travel + like that with other people"

The ultimate nonsense of life itself plays with the feelings of the owner and employees of a tennis complex, in an anarchic melodrama out of all norms, including spelling.

The daughter of the owner of La Plata’s traditional coffee shop “Confitería Ritz” -who worked at Ojeda, Sarti and Santa Lucía pharmacies and now works at Santa Rosa pharmacy- hates living with other people at her home.

"A woman in love is kissed and, days later, travels to La Plata to attend a concert by a stern Polish pianist who plays Chopin as if it were jazz."

This video is based on my fantasy of being a governor of brotherhoods that I would like x example the one of the European champion urtain with cesare pavesse.

Synopsis, by Lucía Seles: ““This video is my tribute to the afternoons that I spent myself concentrated and safe without anyone on the hills of the viewpoint and other areas like this and my anguish because the shoe stores are less cold than one would like. and apart from that it's part 02 of early kirk -early church”.

"A person who worked at a service station, obsessed with how his sister writes, with the central provincial areas and with the song Puerto Montt, brings together some people to study together his sister's writings." (Lucía Seles)