Susana Pampín

Delfina returns from New York to a small riverside town in the province of Buenos Aires. There she visits a tomb of an older woman and one of a younger woman, named Julia, who is identical to her.

As her Parkinson's disease progresses, a woman leads a relentless investigation into finding those responsible for the sudden death of her daughter.

In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

An incestuous love affair. Meme and Jeremias are the younger children in a typical bourgeois family. Their mother Lucia is the dominant force in the household, but her fixation on upholding the niceties of upper middle class life has prevented her from seeing what is going on under her roof. When the siblings’ older brother and his fiancee arrive home for their wedding, it seems inevitable that the concealment will be impossible to sustain. But equally it becomes apparent that if Lucia were to find out about the affair, there would be catastrophic consequences.

Because podcasts have a limit, a person who loves his mother + his father would want to make ice or steel or else have a cemetery so that his mother does not suffer for anyone.

Remo's self-destructive behavior overshadows his talent. Abril, an upcoming jockey, is pregnant with Remo's baby and has to decide between the child or continuing to race. They both race for Sirena, a businessman who saved Remo's life in the past but now is determined to find him, dead or alive.

A small town in an Argentinian province, 1975. The life of Claudio, a successful lawyer, gets complicated when he has a stupid quarrel with a stranger in a crowded restaurant.

A young psychoanalyst visits an eccentric mentor with the intention of proving her method based on the use of substances and strange dolls. The procedure reveals more than she had expected, forcing her to confront her true desire.

Gastón, an agronomist from Buenos Aires, settles in a thriving rural area to dedicate himself to his activity as a crop advisor. The struggle for his 16-year-old daughter, Vera, and his wife to adapt to the new life puts him in front of a dilemma that shakes the foundations of his work. What seemed like a new beginning becomes a present full of contradictions.

Close-up on a man who censored films during the last military dictatorship in Argentina, slightly inspired by the infamous Miguel Paulino Tato.

Julia has just lost her life partner, Barby. Torn between her grief and a world that is crumbling without her, she strives to preserve the restaurant they built together and her bond with their son León. A relationship now threatened by a wilful grandmother and the return of an absent father.

A woman who suffered a serious incident with a violent tennis player -in other video of herself- now dates a shy, insecure jazz musician from Ramos Mejía, but she feels stronger and more glad with everything.

COMPANIONS deals with the love between people and dogs. It’s made up of scenes of intimacy—caresses, habits, games, cares, stories of coming and loss, of protection, and uprooting. The stories intertwine and make up a map of love and its enigmas.

Clara and Alejandro move into a new house. A few days later, he goes on a work trip and she is left alone, surrounded by moving boxes. That chaos makes her accept a series of random invitations that will take her away from the hermetic world she lives in.

Mariana doesn’t like her name and starts calling herself Gloria. Her parents split up before she was one year old and today, like many separated couples, they are brought back together under the same roof only because they don’t have a decent job. Cristina, her mother, rents a part of the house to her ex-husband for a bit of extra money. “Francia” talks about those people who will never travel far from their home, where they take refuge, for good or bad, from all disgusting things in the outside world. Meanwhile, Mariana puts on her headphones when she hears her parents fighting. Those fights which now serve as a relief to the helpless.

After her 27th birthday, Silvia Prieto decides to take charge of her life and make some changes. At the same time, she suddenly finds herself intertwined in the life of another woman who is also named Silvia Prieto.

Fatherland brings a rigorous structural approach to a site of monuments that is also a place of movement, criss-crossed daily by tourists and locals. The grounds are laid out like city blocks, with wide avenues branching onto laneways filled with elaborate mausoleums. The film does not attempt to tour the cemetery as one would on foot, however, but rather moves chronologically through the history enshrined there. A series of individuals are framed in static compositions as they read aloud excerpts from the writings of noteworthy Argentines interred within. (Some license has been taken, as the final resting places of certain figures represented - such as journalist Rodolfo Walsh, who was among the "disappeared" - remain unknown. The result is both poetic and political.) Beginning in the early 1800s, this history comprises civil war, battles with the country's native population, the conflict between the city and the provinces, and years of military dictatorship.

The life and death of the tropical singer Gilda.

The daughter of the owner of La Plata’s traditional coffee shop “Confitería Ritz” -who worked at Ojeda, Sarti and Santa Lucía pharmacies and now works at Santa Rosa pharmacy- hates living with other people at her home.

The true story of four men who narrowly escaped death at the hands of Argentina's military death squads in 1977. Claudio Tamburrini is a goalie for a minor-league football team when he is abducted by members of the Argentine military police and taken to an unofficial detention center on the false suspicion that he is a terrorist. As he is tortured by intelligence agents looking for information he doesn't have, Tamburrini fully expects to be killed. After many sessions of brutal torture, Tamburrini and his fellow captives Guillermo and Tano are being readied for execution when, in a final desperate act, Tamburrini dives out a window during a rainstorm.

Prostitute Roberta lives with her brother and demented mother in an Argentinian rural village. Mother warns Roberta that she can have sex with almost any man in the village, except one – because then she would be killed. However, this last candidate, Sicilio, has put his sights on her.

Teresa’s life is turned upside down when she is forced to accept a job far away. On her way, she loses her bag, causing her to cross paths with El Gringo, a traveling salesman.

After a devastating breakup, Vicky, almost 40, embarks on a quest for new love, unaware it will lead her to a profound—and hilarious—self-discovery.

In each episode, which takes place independently of each other, commissioners Jiménez (Luis Luque) and Laurenzi (Darío Grandinetti) must solve different police cases that will be presented to them and will be a challenge for them, for which they will receive the help of the editor literary Daniel Hernández (Nicolás Cabré) who is looking to write a book about crimes.

The series proposes a new look at the human bonds of the new century. Each of the chapters develops a unique story. They are focused on the conflicts that their characters face in the face of the resistance of a society that often does not fully accept new realities, a product of the transformations that are currently being experienced.