Vladimir Durán

Summer in Buenos Aires. Diego is bitten by a dog. Melina for a cat. Rabies requires 9 vaccinations.

Romina has been working as a promoter for more than 20 years and, about to turn 40, faces few and poorly paid job offers. Her last days at work take her to bars and events. He decides to leave it, but in a Buenos Aires with crisis and unemployment, he cannot re-enter the labor market.

Because podcasts have a limit, a person who loves his mother + his father would want to make ice or steel or else have a cemetery so that his mother does not suffer for anyone.

In 1976, Argentina fell into the hands of a de facto government. Thousands of citizens are persecuted and kidnapped. This is the case of the parents of two children, who, knowing they are wanted, decide to hide.

Silvia, a single mother and a lawyer, is implicated in a corruption scandal. But in addition to trouble at work, she is also facing a more crippling problem: her mother’s cancer has returned. While she is forced to face up to her mother’s inconceivable yet inescapable death, Silvia embarks on a love story, her first in many years.

New York is the dream city of Tavo and Marina, where the lovers hope to start a better life; at home in Bogota they have to work as pocket pickers at the airport to support their families. Dealer Oskar can persuade them to smuggle drugs in their stomachs on plane to New York - although both know of the risks, since Marina's sister died on a similar journey. However on arrival at the airport in New York they show nerves and all their dreams start to shatter.

Inside David’s lives a troubled, doubtful, neurotic young man.

While looking after a friend’s house, Vladimir (a young Colombian) wakes up one morning to find a gigantic stone sitting on the terrace, next to the pool. He has no idea where it came from. Disturbed and intrigued, he calls Cecilia (his ex-partner), who is pregnant with her new partner’s child, to help him figure out what to do. A part is an independent element that can be considered or included within a whole. It can also be a person or group that stands in opposition to another in a discussion or in a war. It might be a brief exchange, or perhaps just any place. This is a story that begins early in the morning. A rock appeared on the terrace. A giant rock. Miguel calls his ex-girlfriend and asks for help. But this is only a part.

Renzo tries to get close to the universe of family and football, which has always seemed alien to him. He wanders between his current life and the one he could have had.

It's Martin's Birthday. A confusing gift will make him wonder how the rest of the people see him.

Ana Livia Plurabelle (30) has different sexual encounters that will make her realize something she hasn't thought about before: the possibility of making money with her body.

It is no coincidence that the second feature by Argentinian Melisa Liebenthal begins with a quote from “Duino Elegies” by Rilke, who was concerned with existential angst. And, more prosaically, Marina, the film’s young protagonist, is faced with similar anxiety. In fact, her problem is her face. One morning, she discovers her face has changed, and she can no longer recognise herself. Not even her mother can, who bumps into her on the street and says hello to her like she would to any stranger (deadpan, surreal humor is part of the film’s recipe). Marina is thus forced to confront her identity: who is she? Is she determined by her parent’s DNA or by her ID card? Can she be identified by a family portrait, by biometrics or the love of those around her, including her Colombian boyfriend? Is she prettier now?

The pandemic, images from the past, images in the trash, various animals, a wounded lion boy, musical neighbors singing an old bolero, a medicinal herb vendor making cooking videos. An experimental piece in collaboration with I Acevedo, Paula Trama, and Inés Copertino, commissioned by the Buenos Aires Queer Art Festival.

After an accident, Lorenzo begins to hear a persistent ringing that profoundly alters his relationship with the world.

Fernando, a naval officer, arrives in the city of Rosario to work on an oil tanker. But his move seems to conceal other motives.

In 2017, young Mapuche Rafael Nahuel was killed by police in the Patagonian forest. Site visits, court proceedings – the film unites the elements involved in solving the crime. Meticulously observed: the struggle for civil rights and narrating history.

Three sisters entering old age. Three sisters that are very knit together but have opposing views, that are very close but live far apart, one in Tel Aviv, one in Paris and one in Bogotá. A film about how the passage of time affects us, about death, both our own and that of those who shared their lives with us. Director Joyce Ventura films herself and her two sisters over many years, reflecting on the aging process, acceptance of one's own death and that of our loved ones, and exposing the anxieties that come with facing the end of life. The three very different sisters, each living in different cities, contrast their opposite existential perspectives and personalities. Old age, a life stage that we often choose to ignore but inevitably concerns us all, is narrated in first person with humor and sensitivity.

Bogotá, 1980. During the government of President Turbay. An urban cell of the M-19 invades the Embassy of the Dominican Republic, taking 14 ambassadors as hostages. They demand that they be exchanged for political prisoners. The film focuses on the events that took place during those two months of captivity.

Antonio wanders the streets of Buenos Aires in search of money and sex. The magnetism he exerts on the people who cross his path allows him to steal and cheat them. Only his mother, with whom he has a confictual relationship, will get over his feeling of impunity and will push him to leave for a trip to the south of Argentina.

In the absence of projects in which to establish herself as an actress, Franca looks for unconventional alternatives to obtain recognition.

As the day begins, a woman sets out to go about her routine, until she decides to take her children to the cemetery to see zombies. When she returns home, this interruption in her day will leave her with a strange and magical feeling.

Fragments of a Saturday winter day. The Vittenzein brothers are alone at their family house. Mateo stops by to pick up Bruno and Camilo and drive them to the country house where their mother awaits. A sudden break slam brings them into the intimacy of a waste land.

While spending New Year's Eve with a group of friends at his grandfather's cabin, a flirtatious young man unexpectedly falls for one of his guests.