Lucía Seles

“what happens if a woman from Spain tells you she's friends with Antonio López, the person you almost admire the +, and that thanks to her you'll get to meet that man for real”

The final match of the "tennis trilogy" sharpens the humor to the maximum and unleashes all the dramas -some of them, even beaten to death- between the owner and the employees of the complex, with strange melancholic notes and new characters that join the ordeal in its last station.

Because podcasts have a limit, a person who loves his mother + his father would want to make ice or steel or else have a cemetery so that his mother does not suffer for anyone.

"A person who worked at a service station, obsessed with how his sister writes, with the central provincial areas and with the song Puerto Montt, brings together some people to study together his sister's writings." (Lucía Seles)

A woman who suffered a serious incident with a violent tennis player -in other video of herself- now dates a shy, insecure jazz musician from Ramos Mejía, but she feels stronger and more glad with everything.

The ultimate nonsense of life itself plays with the feelings of the owner and employees of a tennis complex, in an anarchic melodrama out of all norms, including spelling.

"What if Dumbo identifies as another animal? once, someone I respected gave me their personal card. Months later, a Canadian also gave me their personal card. Months later, I wanted to make a video as if those cards were people, and to those cards I added other deeply important fantasies."

When a woman loves a bakery.

This video is based on my fantasy of being a governor of brotherhoods that I would like x example the one of the European champion urtain with cesare pavesse.

"A woman in love is kissed and, days later, travels to La Plata to attend a concert by a stern Polish pianist who plays Chopin as if it were jazz."

Synopsis, by Lucía Seles: ““This video is my tribute to the afternoons that I spent myself concentrated and safe without anyone on the hills of the viewpoint and other areas like this and my anguish because the shoe stores are less cold than one would like. and apart from that it's part 02 of early kirk -early church”.

A wandering man drifts through La Plata's train station, becoming a lens through which we experience various scenes and moments from the Argentine city's daily life.

A Galician living in La Plata returns to Lugo with his daughter after 27 years, against all odds

The maximum nonsense of life plays with the feelings of the owner and the employees of a tennis complex.

An employee at a private school is promoted and beyond that she has the strength to attack her dead husband for not being a man when he was traveling with her in a bus.

The daughter of the owner of La Plata’s traditional coffee shop “Confitería Ritz” -who worked at Ojeda, Sarti and Santa Lucía pharmacies and now works at Santa Rosa pharmacy- hates living with other people at her home.

romantic to infinity + my extreme love x Montevideo

Selena Prat visits her childhood home accompanied by Martita, her mother's best friend. The house is now a gym run by Omar Patiño, Selena's Clint Eastwood, a tidy man who has managed to keep the gym running for 40 years, much longer than Selena's family. The protagonists take a tour of the gym and its memories from 1985. The old rooms of the house where the treadmills are now located, the room of Sarita, the grandmother's caregiver, the living room, the patio, the kitchen, and the terrace, which is now the weight room.

"the presenters' universe"

"This video is part 02 of Gogol 16 in almost everything because the people who were finishing Gogol 16 are subdivided (although in the end they are not subdivided because there were people who got upset if they were subdivided) for the recording of an album of 16 tracks in tribute to María Luisa Bombal and Marta Lynch" (Lucía Seles)

"a tiny group of people traveling together who decide they won't travel + like that with other people"

This video is like going to listen to guns and roses at the silver cemetery

Iván is a Spanish film producer who travels to Argentina with a single mission: to meet Carmen Trevilla, a cult director who is in the creative process of her new “video.” From minute zero, he feels captivated by her overwhelming and disconcerting presence. Although he still does not know if he is going to produce it – since he thinks that his cinema will not be well received by current European sensibilities – Iván takes advantage of every moment with Carmen to record, with his cell phone in his hand and an endless smile on his face, every adventure they embark on.