Rozptýlení / Barcarole

A recording of the production from the courtyard of the Supreme Purkrab of Prague Castle starring Jan Tříská. Shakespeare's tragedy King Lear is a timeless tale of love, hate, betrayal, greed and lust for power. At the end of his life, the King decides to divide the kingdom between his three daughters based on their speeches about how much they love him. In his blindness, he disinherits and exiles the most honest and beloved Cordelia. He hands over all his power to his other two daughters and only in time does he discover what he has done and gradually slips into madness.

33-year-old Roman decides to tackle his drug addiction by undergoing group therapy as part of a community holed up on an isolated farm in the Šumava mountains. Twelve people, men and women of varying ages and social status, voluntarily subject themselves to a tough regime under the supervision of three therapists. Many of them have stared death in the face already – overdoses, suicide attempts, and aggression heightened by the use of hard drugs, outwardly affecting even the strongest of them. Each brings something of his past into the group, which he has to experience again, both for himself and for those assembled. Past anguish, wrongs and guilt give rise to new problems: in this thickening atmosphere of suspicion and lies, who can still be trusted? This intimate psychological drama deliberately sets out to break up the tight narrative form through retrospectives in which we learn about the past life of each individual.

Czech Television's epic historical film draws on the breathtaking dramatic life of the great of Czech history, King Charles IV.

Dostoevsky’s latter-day opus about the siblings and their father is among the masterpieces of world literature. It asks profound questions about ethics and religion. Is there a God? Does the devil exist? Is everything allowed because we live in a world without morality? And if so, does patricide even constitute a crime? One of the most interesting adaptations of the material is The Karamazovs by Czech director Petr Zelenka. We witness a group of thesps from Prague on a trip to Krakow in Poland to stage the novel as a play in a derelict steelworks as part of the Closer to Life Festival. The project, however, is born under the bad sign, apparently doomed from the start. When they arrive, the roof is about to cave in, so that the actors are told to wear safety helmets. Their sole consistent audience is a laborer (Andrzej Mastalerz) who rather follows each dress rehearsal than watching over his seven-year-old son who has suffered a tragic accident in the factory.

Libor, a former teacher, enjoys a well-paid position as a bank manager, living in a luxurious villa outside Prague. His business partners are taken into custody and the authorities have a few questions for him to answer. Rather than wait around, he decides to take off to Moravia with his wife and two children. In the process, he pretends that everything is normal, rediscovers the value of family life, meets up with a former colleague lost in provincial obscurity, and becomes the object of a manhunt. Libor is not a criminal type, merely someone who signs cheques and is drawn into a business world failing to recognise its own criminality (he doesn’t even flee the country).

Martin was a veterinarian at the top of his game, until a dramatic life changing incident at work. It resulted in an inability to communicate with the world, spending the rest of his days in total isolation. The women in Martin's life are the narrators: his wife, his mother and his colleague, Jana, whose horse he was treating on that fateful day.

Vašek learns that he is dying, so he steals a painting and goes to Rome to sell it – he needs money for a healer. Sitting on a train with a fake mustache on his face, he has no idea that he has, in fact, been sent on a spiritual quest of his life by a beautiful girl. His pursuers look as if they were transported from a 1970’s movie, yet his attention is constantly drawn to the other passengers, who pull him into their own stories with no mercy. Vašek slowly gets lost in a colorful chaos of other people’s destinies, opinions and his own dreams. In the end, his train will take some of them to hell, others to enlightenment or a bizarre epiphany. The film takes a humorous view on all the basic philosophical questions we have heard so many times but that we have yet to find the answers to.

Richthofen goes off to war like thousands of other men. As fighter pilots, they become cult heroes for the soldiers on the battlefields. Marked by sportsmanlike conduct, technical exactitude and knightly propriety, they have their own code of honour. Before long he begins to understand that his hero status is deceptive. His love for Kate, a nurse, opens his eyes to the brutality of war.

When the son of Ukrainian immigrant Irina is attacked, the whole city stands up in solidarity with her family and condemns their Roma neighbors, who allegedly committed the crime. But soon another truth starts to emerge.