Igor Chmela

Richthofen goes off to war like thousands of other men. As fighter pilots, they become cult heroes for the soldiers on the battlefields. Marked by sportsmanlike conduct, technical exactitude and knightly propriety, they have their own code of honour. Before long he begins to understand that his hero status is deceptive. His love for Kate, a nurse, opens his eyes to the brutality of war.

A father and son have nothing in common except a first name, Richard, and an apartment on a housing estate. The burly, good-natured, 30-something factory worker listens to heavy metal and occasionally lets his girlfriend into his life. The frail, retired teacher, who raised the boy after his mother’s departure, is the embodiment of care and understanding. However, their tranquil, shared reality, which embraces both the hardcore band Našrot and Bergman’s “Cries and Whispers,” is disrupted by the sudden death of the mother. Young Richard sets out on a peculiar initiation journey with bizarre encounters and moments of unexpected enlightenment.

When the son of Ukrainian immigrant Irina is attacked, the whole city stands up in solidarity with her family and condemns their Roma neighbors, who allegedly committed the crime. But soon another truth starts to emerge.

Tereza is a former prima ballerina at the National Theater who ended her career as a professional dancer after an injury and moved with her husband Petr and seven-year-old daughter Maruška to an abandoned mill in the Broumov region, which she inherited from her grandmother. With dogged determination and limited financial resources, she is renovating the building to create a new home for her family. She earns extra money by running a physical education club at the local school.

Vašek learns that he is dying, so he steals a painting and goes to Rome to sell it – he needs money for a healer. Sitting on a train with a fake mustache on his face, he has no idea that he has, in fact, been sent on a spiritual quest of his life by a beautiful girl. His pursuers look as if they were transported from a 1970’s movie, yet his attention is constantly drawn to the other passengers, who pull him into their own stories with no mercy. Vašek slowly gets lost in a colorful chaos of other people’s destinies, opinions and his own dreams. In the end, his train will take some of them to hell, others to enlightenment or a bizarre epiphany. The film takes a humorous view on all the basic philosophical questions we have heard so many times but that we have yet to find the answers to.

Hana is a psychologist and a thoroughly independent woman. Her unemployed husband, jealous of his wife, finds a younger girlfriend, but their teenage son Honzik is frustrated; everyone ignores him. Hana's patient Eva, an attractive middle-aged woman, is having problems with her 25-year-old son; she is in love with her son's friend and her son is offended by her behavior. To complete the circle, he falls in love with Hana and Honzik is utterly disgusted by their affair. Another of Hana's patients is Dub, a millionaire who can have pretty much anything, or anyone, he wants. He wants Hana. But he can't have her.

Czech Television's epic historical film draws on the breathtaking dramatic life of the great of Czech history, King Charles IV.

Charming 60-something José returns to Prague after 30 years living in Mexico, though he was convinced that he would never see his hometown again. He was persuaded by his deeply religious Mexican wife Dolores, who is convinced that only a miracle that might be fulfilled by Prague’s famous Infant Jesus can help their daughter Penelopé get pregnant. And the ideal time for this is Christmas. And when Ruda, his friend from Prague, also insists, José agrees to return to the places he used to know and to the memories that they bring back – including his former Prague love. And it becomes evident that the Infant Jesus is not the only one capable of making miracles come true in Prague. Penelopé’s longed-for conception is definitely not the only one…

Martin was a veterinarian at the top of his game, until a dramatic life changing incident at work. It resulted in an inability to communicate with the world, spending the rest of his days in total isolation. The women in Martin's life are the narrators: his wife, his mother and his colleague, Jana, whose horse he was treating on that fateful day.

As two beach volleyball partners focus on personal matters and a championship tournament, a quirky figure disrupts their game on and off the court.

Libor, a former teacher, enjoys a well-paid position as a bank manager, living in a luxurious villa outside Prague. His business partners are taken into custody and the authorities have a few questions for him to answer. Rather than wait around, he decides to take off to Moravia with his wife and two children. In the process, he pretends that everything is normal, rediscovers the value of family life, meets up with a former colleague lost in provincial obscurity, and becomes the object of a manhunt. Libor is not a criminal type, merely someone who signs cheques and is drawn into a business world failing to recognise its own criminality (he doesn’t even flee the country).

In a deserted clearing, a forest ranger finds the lifeless body of a man. He manages to revive him, but the man remembers nothing. He doesn't know how he got into the forest or why he is covered in blood, and instead of answering questions, he runs away. The ranger sets out after him and gradually discovers that the man is involved in a bloody vendetta, which he may have initiated himself and in which his fourteen-year-old daughter plays an important role.

Dostoevsky’s latter-day opus about the siblings and their father is among the masterpieces of world literature. It asks profound questions about ethics and religion. Is there a God? Does the devil exist? Is everything allowed because we live in a world without morality? And if so, does patricide even constitute a crime? One of the most interesting adaptations of the material is The Karamazovs by Czech director Petr Zelenka. We witness a group of thesps from Prague on a trip to Krakow in Poland to stage the novel as a play in a derelict steelworks as part of the Closer to Life Festival. The project, however, is born under the bad sign, apparently doomed from the start. When they arrive, the roof is about to cave in, so that the actors are told to wear safety helmets. Their sole consistent audience is a laborer (Andrzej Mastalerz) who rather follows each dress rehearsal than watching over his seven-year-old son who has suffered a tragic accident in the factory.

Julie is a woman who seemingly has everything. A handsome husband, teenage daughter and a thriving, undemanding job as a translator and now even a new dream house ... But she also has a secret that is slowly changing her idyllic life...

Fogi is enjoying his never ending puberty. But simultaneously Fogi is also trying to live up to his family duties and bring up Véna, his son from the first marriage. He did not get married again but lives with Jana, a post office employee. Together they have little Anicka and they all live in a flat in a small town. At first, Jana is trying to tolerate Fogi's moods, but her patience is running out. Fogi loses his job. On top of that he starts to see himself in his adolescent son and realizes with horror that Véna repeats his own mistakes. The first fights, bans and mutual misunderstandings are approaching.

When a train unexpectedly changes directions, a group of eccentric passengers must work together to reach their destination safely.

33-year-old Roman decides to tackle his drug addiction by undergoing group therapy as part of a community holed up on an isolated farm in the Šumava mountains. Twelve people, men and women of varying ages and social status, voluntarily subject themselves to a tough regime under the supervision of three therapists. Many of them have stared death in the face already – overdoses, suicide attempts, and aggression heightened by the use of hard drugs, outwardly affecting even the strongest of them. Each brings something of his past into the group, which he has to experience again, both for himself and for those assembled. Past anguish, wrongs and guilt give rise to new problems: in this thickening atmosphere of suspicion and lies, who can still be trusted? This intimate psychological drama deliberately sets out to break up the tight narrative form through retrospectives in which we learn about the past life of each individual.

Film crew on the road: Director (Jaroslav Plesl), his Producer (Simona Babcáková), and their Director of Photography (Jirí Vyorálek) and Sound Arist (Johana Svarcova). Starving artists who already have a number of films to their names, Czech Lion award-winning films, excellent reviews and have been screened at numerous festivals, but they don't have audiences. Their next collaborative effort - the Director's lifetime dream - is quickly becoming oblivion because he failed to win a grant, which means it won't be made. And so the frustrated Director and his colleagues await their chance among record-holders of curious disciplines such as crawling with a squash racket or collecting four-leaf clovers. How will the collision of these two worlds end? What will the Director's next film be about?

The Horváth family is a Romani family with seven children, and the story begins with the tragic death of the father. His wife, Vera, is suddenly in a fight with the authorities, determined to keep her large family together at all costs, but she is hopelessly ill-prepared for the task. They are evicted from their home and her case-Vera versus the city-finds its way to a young, ambitious lawyer. She doesn't know the world of the Romani, nor is she particularly interested in it. Initially she takes the case as a springboard for her career. Despite her prejudices, incomprehension and sometimes Vera herself, she doesn't abandon the case. Luckily she is not the only one who sides with the family. There is a social worker whose attempts to help the Horváths are also motivated by his entirely private interest in the attractive lawyer.

A recording of the production from the courtyard of the Supreme Purkrab of Prague Castle starring Jan Tříská. Shakespeare's tragedy King Lear is a timeless tale of love, hate, betrayal, greed and lust for power. At the end of his life, the King decides to divide the kingdom between his three daughters based on their speeches about how much they love him. In his blindness, he disinherits and exiles the most honest and beloved Cordelia. He hands over all his power to his other two daughters and only in time does he discover what he has done and gradually slips into madness.

Ofka has fallen into a strange lethargy: while most of her high school classmates continue their studies, she refuses to leave the deceptive comfort of childhood, which is quickly turning into a stifling trap. She works in her brother-in-law Eda's 24-hour shop and lets the fragments of wasted lives of regular and random customers, as well as those of her old friends who, like her, only really live at night, flit around her. Sometimes she drops in on a group drinking in the Vltava harbor, wanders the streets with the eccentric Ubre, who is fascinated by fishing discarded items out of trash cans and hopelessly in love with her, and avoids Míra, who, on the contrary, has stopped loving her. However, it is becoming increasingly clear to her that one day she will have to say goodbye to her childhood, cross the borders of her native neighborhood, and start doing something with her life...

Jarek Ostravski is a miner like any other. But when one of the tunnels in the mine collapses and he rescues many of his friends from the rubble, he becomes a hero and his life is suddenly turned upside down. He is promoted from the mine to the office by the company management to look after the miners, he comes under the scrutiny of the media, his family, and friends, but above all, his popularity with women multiplies. But who could have guessed how it all really is... This new Czech comedy film, following in the footsteps of the best titles in this area of Czech filmmaking, "Ostravak Ostravski," was loosely based on the idea of a legendary blogger and his seven bestselling books entitled Deniky Ostravaka.

Isabela, a retired woman, floods her drug-addicted neighbor's apartment with her washing machine. A repairman must be called. The handyman arrives at the apartment, which does not look like the home of a lonely senior citizen, but rather like a clinic for deranged individuals... Isabella's neighbor is unable to fulfill his late wife's last wish, the flooded junkie hates pensioners, refugees, and the government, and Isabella is visited by her offended husband, who has been dead for years and complicates her life and the repair of the washing machine... During this bizarre visit, the illusion of one happy marriage falls apart, one old misunderstanding is cleared up, and several others arise. The second half features the short film Barcarole, also produced by Divadlo Verze.

A Czech medical television series that focuses on an emergency department. Each episode follows cases inspired by real-life stories and the cases of patients and healthcare professionals.

Divorce doesn't have to spell disaster. Even with alternating care, it can be fun. Especially when such quirky characters as ours are involved. Sure, even in One Family, things get rough sometimes, but love always wins in the end. Because more parents mean more love.

Partička is an improvisation show of Prima TV, based on the Slovak version of the same name. The entire program is based on the improvisation of four actors in different games. As in the Slovak version, Daniel Dangl accompanies the show, and Marián Čurko is the music.

What can a simple DNA test do? For example, it can trigger an avalanche of surprising findings that will shake up the fates of parents and their adult children. The secrets revealed can hurt many, but they can also bring a lot of new possibilities. Because what's better than having good siblings? And does the rule "the more, the better" apply in this case too?

Iveta wants to be a famous singer. The journey leads from the children's choir through singing competitions, recording the first hit and record to nationwide fame. Iveta has to convince parents, jurors, producers, spectators. The only one who believes in her from the beginning is Petr Sepéši. Her first love. What is the price of a dream come true? The beginning of Iveta Bartošová's life story.