Eduard Hoesch

The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.

Czechoslovakian opera star Jarmila Novotná plays the title role in the Austrian tunefest "Frasquita". Based on a Franz Lehár operetta, the story is the usual frothy nonsense. Dolly (Charlott Daudert) is engaged to marry Harald (Hans Heinz-Bollmann), but she's really in love with Hippolit (Heinz Rühmann). Harald is likewise enamored of another, namely Frasquita (Jarmila Novotná).

In Vienna of 1913 a young woman coming from vaudeville theatre circles stands before the wedding with a construction draftsman; this must move to the military and sends his bride on the country, so that she cannot be enticed to the stage. However, she does it and gets by an officer's love affair so in confusion that she commits suicide. - This end environment-close and differentiates of produced melodrama was rejected by press and audience vehemently; the new second film end with the rescue of the desperate was supplied later, so that in this version only a bittersweet common melodrama with excellent actors and good photograph was left. In the rental company copy is the second version of the end jointly contain.

Early Curtiz feature

Moritz Stiefel faces expulsion due to poor marks. When he is caught with an essay titled “Shame and Lust”, he is indeed kicked out – instead of classmate Melchior Gabor, who actually penned it. Gabor was drawing on his experiences with neighbourhood girl Wendla. Then Wendla turns up pregnant. Stiefel descends into despair ... Exploitation between Eros and Thanatos in this “sexual tragedy of youth” based on Frank Wedekind’s play. Setting the film in the 1920s provided a chance to explore “modern” youth culture, complete with cigarettes, jazz music, the gramophone, and a goodly bit of alcohol. Richard Oswald, a master of films of manners and young sex beginning in the 1910s, fully explores the temptations of the youthful body, even early childhood flirtatiousness. At the same time, with his target audience in mind, the film laments the bigotry and double standards of the adult world.

Melodramatic story of an innocent country girl (Ita Rina) who struggles to make a living in the city as a prostitute. As she provides last service to a murderer sentenced to death (Josef Rovenský), society condemns her and leads her to despair. This groundbreaking film directed by Karel Anton was made in 1930 as the first Czech feature movie with post-synchronised soundtrack, recorded in France. International star cast, sensitive adaptation of Egon Erwin Kisch’s short story and innovative combination of silent and sound film features make this movie an artwork of European significance.

Composer Franz Schubert becomes involved with a family with three daughters, falling in love with the two blonds, first one, then the other; but will he notice the quiet brunet third daughter, who has fallen madly in love with him?

Plastic surgeon Professor Mangold sends assistant Fred to pick up a patient at the train station. Fred brings the wrong woman, losing his job and his fiancee in the chaotic aftermath while the professor and his wife separate.

Polly Petterson is a major customer of the Van Geldern bank, which manages her assets to the tune of one million. When she wants to withdraw the entire amount, the bank, which has speculated, threatens to go bankrupt. The employee Peter Voss then steals the million as a pretense and flees. By agreement, he is to hide until the price of the copper he invested in rises again. Polly hires detective Bobby Dodd and follows the apparent bank robber to Portugal, Brazil, the Wild West and Hawaii. There, Peter Voss is able to convince the rich Polly of his good intentions - and when the bank is saved, there is even a wedding.

After the death of his uncle, the owner of the Rhine based Bockelmann Sparkling Wine, Peter turns up for the reading of the will. Justus Bockelmann, a producer of mineral water, is confident he will inherit the business, but ‘for reasons of moral rectitude’ he has no intention of running an ‘alcoholic business’. The opening of the will comes as a surprise to all the potential heirs.

The Man Who is Talked About is the overly agreeable Toni Mathis (Heinz Ruhmann), a gent constitutionally incapable of saying the word "no" (or "nein," this being a German picture). Though he'd rather breeze through life without responsibilities or obligations, Toni agrees to study zoology in college because his uncle (Hans Moser) wants him to. Alas, despite the Herculean efforts by Toni's servant Hassler (Theo Lingen) to prepare his master for his final exams, Toni forgets to show up for the finals and is expelled post-haste. In desperation, his uncle arranges for Toni to get married, and once again our hero just can't say no. Trouble is, he falls in love with trapeze artist Bianca (Gusti Huber), whose father won't let her marry anyone except another entertainer. Undaunted, Toni studies a book on show business and tries out for the vaudeville stage, and the picture isn't even halfway over yet!

A classical art junk dealer and an almost bankrupt hairdresser who unexpectedly makes an inheritance go hunting behind thirteen chairs from which of a 100,000 DM contains which the rich aunt has hidden there.

Morris Brown, a New York gambler acquainted more with his checkbook than his prayer book, returns to Galicia with his very American daughter, Mollie (Molly Picon) for a family wedding. But Mollie, whose exuberant antics fill the film, unexpectedly meets her match--an engaging young yeshiva scholar who forsake tradition and joins the secular world to win her heart.

Two police inspectors track down a mysterious criminal who signs his crimes with a fiery triangle. When they have just discovered an accomplice, one of the police officers, in love with the young girl, is shot dead. His colleague will then have only one goal in mind.

Based on the short story "Der Fall des Generalstabschefs Redl" by Egon Erwin Kisch. Alfred Redl, a colonel on the Austrian General Staff, leads an extravagant private life. No one suspects that in reality he is passing information to Russian spies. Alternate-language version of "Aféra plukovníka Rédla" (1931).

During his trip to the city, a naïve man from the countryside falls victim to a thief who steals his wallet. Since all his personal documents were in it, he not only looses his money but also his identity. The thief turns out to be a cunning con man, who uses the papers for his criminal schemes. Soon enough, a warrant is issued, and eventually both men – the thief and the innocent guy – are arrested. But since all the red tape of the government causes even more confusion, the odyssey of the victim searching for his lost identity has just started.

An Italian engineer who had made a strategically important invention to ward off enemy aircraft is killed in a robbery. As the plans have presumably fallen into the hands of spies, secret service captain Bergall is given the task of recovering the papers. Bergall initially adopts a false name and appears as Mr. Gran, whom nobody knows. Under this name, he rents a room in the Hotel Danieli in Venice and makes the acquaintance of the shipowner's daughter Viola Dolleen. With her help, he is able to eliminate Captain Gordon, who is also interested in the plans. When Gran learns that the plans are now in the possession of the art dealer Tschernikoff, who wants to sell them to Gordon, he immediately travels to Rome, visits the art dealer Titian and pretends to be Gordon. In the art dealer's remote villa, events come thick and fast...

A moron buys a worthless piece of land, which a swindler passed off as an oil field.