Hasenklein can't help it

Hasenklein can't help it

1932 · ★ 9.0 · Comedy

Directed by Max Neufeld · Written by Jane Bess

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Hasenklein can't help it

La canzone del sole

Both from Max Neufeld.

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La canzone rubataLa canzone rubata · 1940
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★ 9.01940
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★ 9.01954
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You Love Me, I Love YouYou Love Me, I Love You · 1939
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★ 9.01939
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Money Governs the WorldMoney Governs the World · 1933
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★ 9.01933
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In this French set comedy, five million francs change hands one weekend between a man pretending to be a millionaire and a woman pretending to be a Russian countess.
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An electronic engineer is called by the Hungarian Television Directorate to test the new television installations. He arrives in the capital, Budapest, together with his girlfriend.
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★ 8.01931
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The Opera Ball (German: Opernredoute) is a 1931 German musical comedy film directed by Max Neufeld and starring Iván Petrovich, Liane Haid and Georg Alexander. It was part of a large group of operetta films made during the decade, although the film is not based on the operetta Der Opernball. The following year it was remade in French as Beauty Spot. A 1932 British remake After the Ball was also made.
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★ 7.01939
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★ 7.01949
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Edith, a young orphan, is exploited as a waitress and bullied by her adoptive father. But she has a dream: she wants to become a star. One day the Orient Express, which never stops at the little station across the café she works in, is forced to pull up due to a technical incident. And out of a carriage gets ... a company of dancers, who start rehearsing before Edith's amazed eyes. She meets the director of the company, handsome dancing star Harry Belmont, who takes an interest in her beauty and in her natural talent. When she leaves her obnoxious father for Vienna, Harry is absent. She nearly gets seduced by a libidinous man but, after a narrow escape, she gets a job from Treberg, the owner of the restaurant she had dined in. Treberg finds her there, hires her as a dancer and the pair soon meets tremendous success. A star is born but, realizing that he comes second to her, he prefers to vanish.
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