Dzhavlon Khamrayev

A village man accidentally uncovers a web of political intrigue after discovering and distributing treasures from Hussain's secret hideout. The Khazi sets a gang of ruthless bandits on the man to ensure the safety of his treasures.Based on the story of Ali Baba and the Forty Thieves from the 1001 Nights or Arabian Tales.

Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left; to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left -- the seventh, and he must not miss his target!

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

The Cheka officers are conducting an operation to return the gold that the Basmachi plan to exchange for weapons.

Beautifully shot in black and white, and scripted by Tarkovsky's collaborator Andrei Konchalovsky, this powerful melodrama tells the story of a young boy who undertakes the perilous journey to Uzbekistan's capital Tashkent, to earn some money for his hungry family. Filming in the periphery of the Soviet Union, in a time of relative political relaxation, director Shukhrat Abbasov actually dared to depict the poverty and famine that resulted from the Bolshevik Revolution.

The plot is based on the story of a former teacher who became one of the leaders of the party leadership of Uzbekistan, involved in the "cotton business". He is accidentally killed by his own son in a shootout with assassins of party mafiosi.

The year is 1943. A scientific expedition led by Professor Sagdulaev is working in the Karakum sands. In the sands, not far from them, a German plane drops paratroopers disguised in Soviet military uniforms. The saboteurs have a mission: to take explosives hidden in the ruins of an old fortress and blow up the strategic bridge over the Amu Darya. The members of the expedition engage in an unequal battle with the enemies…