White, White Storks

A romance by Ali Khamraev with musical numbers interspersed

The red commander Mirsharapov was sent to fight the Basmachi gang in Khiva. After the fighting, Junaidkhan's gangs are defeated.

Directed by Ali Khamrayev.

Three funny and entertaining short stories about little Tajik children: "They Got Into a Trap," "They Made Friends," and "Said the Dreamer."

The comedy is based on the ancient legend of Tahir and Zuhr. The action has been transferred to our time. Various obstacles stand in the way of lovers, but in the end, despite all the machinations of others, Tahir and Zuhra find their happiness.

A young man Bakhtiyar falls in love with a girl he saw on the TV screen.

Two barbarians in the desert find a stranded white woman and regard her as their property. A strange and exotic parable that presents a tragic three-cornered relationship in a politically incorrect and ironic way.

Extraordinary Commissar Pyotr Kobozev arrives in Soviet Turkestan on Lenin's personal order. He will have to quickly and accurately understand the situation and take appropriate measures against the counter-revolutionaries.

Tashkent, 1942. At this time, the hospitable city became a refuge for tens of thousands of people tired of hunger and cold war years. In urban stores, warehouses and markets in abundance of food and other goods. All this attracts the attention of criminals of different stripes, who in search of easy money gathered in Tashkent from all over the vast country. There are several criminal groups here. At the beginning of summer in the city there is a new gang operating with special impudence and cruelty…

A dying woman’s wish sends her son on a train journey from the steppes of Uzbekistan to the Russian hinterland in search of his father’s grave. Just as the traveler’s home city of Samarkand is situated on the border between East and West, Khamraev balances his film on the edge of two cultures, evoking the soul of Russia and the crumbling beauty of what was once the Silk Road.

Man Follows Birds is a coming-of-age story of a young Uzbek poet surrounded by violence. Farouk is fascinated by trees and Khamraev films him with a lot of melancholy and tenderness. Cast apart because he’s poor and his father’s drunk, Farouk is not happy in his village. When his father dies, he decides to go in the mountains with his best friends. Looking for nature at its purest, the two teenage boys have to deal with the cruelty of violent barbarians. Their trip will also make them meet a lost orphan girl and a wise beggar.

Three women’s lives intersect in a small town in Uzbekistan following the Second World War. The first, an old woman trapped in a forced marriage; the second, a schoolteacher intent on imposing progress on the remote region; the third, a young woman determined to build her own house without her husband’s or the state’s approval.

A Russian doctor is invited to work at Afghanistan's top hospital during the war, and sees firsthand the carnage caused by the Islamist mujaheddin as they attempt to overthrow the socialist government.

The setting is Central Asia during the Russian civil war. In the post-revolutionary twenties, when the power in European Russia was (officially) "fully in the hands of the workers and peasants", but the fight against the Basmachi rebels was in full swing. When a Red Army detachment captures Sultan Mazar, the brains behind the Bazmachi contingent, a decision is made to escort urgently the prisoner to the Bukhara province. The difficult mission is entrusted to a grizzled mountain trapper and conscientious revolutionary called Mirzo. His expertise is essential to traverse the precarious paths and steep mountain ridges along the way, impossible terrain for the inexperienced. A group consisting of Mirzo, his brother Kova, the Sultan, his daughter Zaranghis and slave Saifulla set off on this journey. They are forced to fight on the mountain ridges as well as negotiate the natural dangers and harsh elements.

The film is set during the last summer before the Great Patriotic War. Three sisters are coming to stay with their grandmother in the village. They imagine the world as a vast and charming "Garden of desires" and all members of the household are waiting for Asya's birthday. Asya has a sense of foreboding regarding the impending grief. Guests come to visit but none of them are her parents. She still does not know that her father was declared an enemy of the people, that tomorrow she will not see her mother and that the war is approaching.