Leung Ming-kai

In a community of farmers living on the Malaysia-Thailand border, Hong Im recently lost her husband under mysterious circumstances. Hong Im uses black magic to address villagers’ everyday issues until she encounters a ghost that reveals a secret about her husband’s death.

Wolf, born into a deaf family, embraces sign language with confidence despite obstacles in life; Sophie, having received a cochlear implant at a young age, continuously strives to be seen as "normal" despite having a "deaf accent." Alan, with a cochlear implant like Sophie, is capable of both spoken language and sign language; he advocates for diverse modes of communication within the deaf community. Bound by love and friendship, the three embark on a self-discovering journey that is not without its moments of pain.

Angie and Pat are a couple living in Hong Kong who have been together for over four decades. After Pat's unexpected death, Angie finds herself at the mercy of her extended family as she struggles to retain both her dignity and the home that they shared for over thirty years.

A confrontation between two Hong Kong immigrants – one a cab driver from Mainland China, the other a lawyer and refugee from Pakistan – spells disaster for their families, especially the lawyer's young son.

Just out of jail, Fai finds a spot on a street corner where other homeless people welcome him. But he doesn’t get much time to settle in. The police soon chase them away, and their possessions disappear into a garbage truck. Young social worker Ms. Ho thinks it’s time to fight this in court. In the meantime, Fai and his friends have other concerns.

Accomplishing her late husband's wish of remaining a mysterious neon sign, a depressed middle-aged widow and the neon signmaker's protégé discover surprises and bitterness amidst the city's vanishing glow.

A 28-year-old I.T. geek suddenly finds himself the object of affection for five attractive women within the same year. The quintet share virtually no similar traits except one quirky thing: they all live in remote corners of Hong Kong.

While trying to keep his struggling business afloat, a chef goes on a dating app in search of Zelda, his crush from his chatroom days as a teenager. For each Zelda he meets, he makes a tailor-made meal to fit their story. Putting a spotlight on the city’s struggling restaurant sector, indie filmmaker Amos WHY and his co-director Frankie Chung’s unconventional and bittersweet road movie follows a rootless man who turns to his memories to avoid confronting his unknown future. Is it better to drift with uncertainty, or to stay in your comfort zone whilst tethered to a sinking ship?

Wah Fu Estate in Aberdeen is the home of many urban legends, but few were as outlandish as the one that happened in the 1980s: One night, residents turned their heads to the sky and saw a giant UFO hovering above them for five minutes. No one else could prove or explain the odd phenomenon, but it becomes the pivotal event for three young people.

Veteran filmmaker Mary Stephen digs into her own family past to uncover the long-hidden origins of her Western surname, revealing a story of culture shock, colonialism, and contested remembrance.

Mei falls for an underachieving boxer, and begins years of soul searching in the city, where she reunites with her estranged brother under unexpected circumstances. What was remembered and forgotten are lessons that have profound consequences.

A man and a mysterious women explore Bangkok over the course of one night.

One day Pak, a taxi driver who refuses to retire, meets Hoi, a retired single father, in a park. Although both are secretly gay, they are proud of the families they have created through hard work and determination. Yet in that brief initial encounter, something is unleashed in them which had been suppressed for so many years. As both men recount and recall their personal histories, they also contemplate a possible future together.

On stage, senior Cantonese opera singer Sam Chan is bright and well-received. Yet at backstage, how could she deal with her fear and difficulties and a complaint against her regarding National Security Law in Hong Kong?

This short film, with a budget of US$50, premiered at the Tribeca Film Festival, where writer–director Leung Ming-kai was nominated for the Student Visionary Award

Nuhm is a construction foreman working in Bangkok. The political instability in Thailand has making its presence felt in all business sectors. Nuhm suddenly finds himself out of jobs. He decides to leave Bangkok to go back to his hometown in the northeast of Thailand to attend his high school friend’s wedding during the Thai New Year in April which also happens to be the hottest month of the year. Nuhm reunites with his old friends at the wedding in Khon Kaen.

Surprise parties rarely go well. This one is no different, as a group of 30-somethings head through life, love and a day in New York City.

Gibson Bonifacio stopped speaking when he was a child. Now twenty, he returns home to Manila for Christmas. While always festive in the Philippines, for his family it is tinged with sadness, marking the anniversary of his twin brother’s death.

Explores the landscape and stories within the community of Krabi, Southern Thailand. A major tourist destination in Thailand, the filmmakers want to capture the town in this specific moment where the pre-historic, the more recent past and the contemporary world collide, sometimes uneasily.

Following the death of their estranged father, Joni and Wes Carver travel to Arkansas to deal with their inheritance: a rundown house in a rural town, arriving just in time for Decoration Week-end - wherein former residents return to celebrate their ancestors. It is here, in a sea of strangers living and dead, that Joni and Wes finally find their place in the story of their own lives.

Everyphone Everywhere’s cross-cutting narrative brings together a large set of players within the mobile-communications theme. First there’s designer Chung Chit (Endy Chow), who rushes to catch a ferry and leaves his phone at home. There’s no time to retrieve the device, so he tries to soldier on without it – and the results are eye-opening. Eventually, he’ll need to call his wife Ivy (Cecilia Choi) to awkwardly help him out. Meanwhile, soon-to-emigrate middle manager Raymond Ho (Peter Chan) starts his day with his WhatsApp account hacked and frozen. Broken contacts aside, his big fear is exposure of shady workplace practices and possible blackmail or arrest. Then there’s Ana (Rosa Maria Velasco), an old classmate of theirs who’s waiting in a private kitchen and getting odd messages. And all the time a young lady, Yanki (Amy Tang), and a nerdy computer wiz (Henick Chou) are busy using messaging apps for sleazy purposes.

Family pains and abdominal cramps—anyone can allow their body to endure the turbulent intrusion alone. After living in Norway for years, Ling brings her foreign boyfriend home to Hong Kong. The family reunion is seemingly harmonious yet unspoken rifts and resentment will be revealed through family therapy. Will it end in reconciliation or a split-up? Bobby YU Shuk-pui, winner of Best Director at the 17th Fresh Wave, brings her family’s story to the silver screen. With real-life family members appearing on screen, the film examines intergenerational conflict through the lens of the young. With scenes of conversational therapy shot like direct cinema and shifting between fiction and reality through switching aspect ratios, the film faithfully and naturally presents the emotional vortex among family members.

A friendship develops between a young paralysed man from a wealthy Bangkok family and his male nurse from Isan in the North of Thailand.

This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.