Come Here

Aoey seeks the Pak Nam Po River - believed to reach heaven - in order to send her mother, who recently passed away, to the afterworld.

Amidst the post-economic crash, a man must return from abroad after his father committed suicide. After return home, he must confront his past and struggle to hold on to his present.

Explores the landscape and stories within the community of Krabi, Southern Thailand. A major tourist destination in Thailand, the filmmakers want to capture the town in this specific moment where the pre-historic, the more recent past and the contemporary world collide, sometimes uneasily.

According to Thai superstition, a virgin can ward off rain by planting lemongrass upside-down underneath an open sky. This belief remains prevalent to this day. As clouds begin to gather, Piano, the young production manager on a film set, is tasked to carry out this tradition. As her fellow female co-workers shy away from the duty, Piano is left with no choice but to take on the burden of becoming the lemongrass girl.

Film-maker Ann has an upcoming project about the 1976 massacre of Thai students. She interviews Taew, a survivor, at a mountain retreat only to have her perspective change as the project progresses.

An 11-year-old boy steals money for bribes to remove his gay older brother from Thai military conscription rolls, unaware of the ramifications.

A family of four – Father, Mother, Daughter and Son – arrives at a mysterious house between the ocean and the forest, feeling an unnamed crisis. What begins as a temporary stay stretches into a strange limbo. After an accident leaves Son bedridden, the family turns to a ritual of telling stories about the ocean, stories that seem to make people forget. Haunted by recurring nightmares, Daughter begins to sense that her own missing childhood memories are tied to the house and to a girl in a green dress. As the past surfaces and the boundary between reality and story dissolves, she must choose her way of remembering.

The chronicles of a day in the life of a nameless woman as she wanders around Singapore. Part documentary part video essay, 'Nightfall' is a fictionalized account of Suwichakornpong's time spent during a residency researching Thai politics in a foreign land.

Nuhm is a construction foreman working in Bangkok. The political instability in Thailand has making its presence felt in all business sectors. Nuhm suddenly finds himself out of jobs. He decides to leave Bangkok to go back to his hometown in the northeast of Thailand to attend his high school friend’s wedding during the Thai New Year in April which also happens to be the hottest month of the year. Nuhm reunites with his old friends at the wedding in Khon Kaen.

Helmed by three female directors, this omnibus features three films set in China, Thailand and Singapore respectively. Each story occurs at a specific mealtime, and seeks to interpret the frailties and complexities of love through different Asian perspectives. All three stories are tethered with the question, "Will you marry me?" Mirroring the repasts themselves, Breakfast and Dinner are heavier in tone, while Lunch is light with a sprinkle of humor.

A man and a mysterious women explore Bangkok over the course of one night.

A friendship develops between a young paralysed man from a wealthy Bangkok family and his male nurse from Isan in the North of Thailand.

A tour guide and also a hotel rep automated voice, Kanya, leads her foreign guest, Alex, through a beach town in the east of Thailand called Bangsaen. Since Kanya's presentation is overtly aestheticized and strictly regimented, Alex decides to explore the town by himself, fantasizing to get out of the frame.

The film features six themes of love in Bangkok's famous districts: Mo Chit, Yaowarat, Khaosan, Phahurat, Silom, and Sukhumvit in the hands of six different directors.

Thursday resulted from the famous Danish CPH-Dox projects whereby two filmmakers (one European, one non-European) collaborate. Suwichakornpong and Kameric wrote visual dialogues from Asia and Europe, as it were.

Produced by the Luang Prabang Film Festival, "MEKONG 2030" is a collection of short narrative films that envision the future of the Mekong River from five different national and cultural perspectives. Set in the year 2030, they aim to both entertain and inspire audiences to actively protect this critical life source.