We'll Meet Tomorrow

As far as one can remember, water has been dropping from this ceiling. One drop after another, slowly, like an ever-repeating dream that spreads all-over and changes the rhythm of life, creating a partition in-between the internal and the external. One camera for Nidal Debs, another for his hero Marwan, One camera shooting what the other sees. who makes the film?. Marwan lives in Damascus since a long time, since when refugees arrived and filled the city, since hardship was even harder. He & his friends lived those times when life was different, when dreams were bouncing in the streets. Something is happening today, the friends awaken as Ahmad passes away, a life-time of silence has passed, a life-time of frustration and loneliness must end, dreams are searching for a few minutes, for last moments, there is still a little time left. There is a new space today.

Damascus in the late 1990s. Kareem and Nabila are raising five very different daughters — each with her own personality, ambitions and complications — alongside a scene-stealing aunt Jamila. Every episode centres on a family issue that brings everyone together to argue, laugh and muddle through. Warm, witty and deeply rooted in Syrian daily life, it remains one of the most beloved family comedies in Syrian television history. Stars Jamal Suleiman and Khaled Taja.

The Halaby family works in trade. When the father decides to write all his property over to one of his sons, the two brothers clash, until the eldest brother falls ill, and his younger son is forced to give up his ambition to take care of their business.

The first comprehensive dramatic telling of the Palestinian Nakba, seen through the eyes of a poor rural family from the 1930s British Mandate era through the massacres of 1948 and the defeat of 1967. Written by Palestinian poet Walid Seif — based on his own family history — and directed by the late Syrian master Hatem Ali, this is widely considered one of the greatest Arab television dramas ever produced. A monumental work of collective memory, historical witness and human endurance.

A sweeping historical epic tracing the life of Saladin from his humble origins to his unification of fractured Muslim kingdoms and his legendary recapture of Jerusalem from the Crusaders after nearly a century of occupation. Starring Jamal Suleiman and directed by the late Hatem Ali, written by Walid Seif — the same partnership behind Palestinian Alienation — this is widely regarded as one of the finest historical dramas in Arabic television, epic in scale yet deeply human in its portrayal of leadership, faith and sacrifice.

A woman who works as a DJ is known to live alone and has her own messy world, but when she meets a teacher who is always serious and well organized, the contradiction between their personalities result in many comedic situations.

A crime writer finds himself the prime suspect in a murder that emulates his own novel and must now join hands with a die-hard fan to prove his innocence.

In Post-War Lebanon, after Taif Accord in 1989, and the Syrians withdrawal from Lebanon,seemingly disconnected at first, the stories reveal an interconnection, particularly with an Egyptian director seeking societal freedom in Beirut falls victim to its repression.

The series revolves around failed love stories as a result of a compelling circumstance or because of a social or financial problem or a problem related to religion so that the audience develops a state of sympathy with the series characters In each episode the series presents a separate station from the other detailing a glowing love relationship that was extinguished by various circumstances

Set in a traditional Damascene neighborhood, the story follows—in a comedic way—the protagonist's quest to find the woman he loved but never confessed his feelings to over forty years ago, after he begins seeing her in his dreams every day.

The series discusses the stories of young university students, their reality during their studies, and the hardships and unknown fate they endure after graduation.

Naji Saeed is a ruthless Damascus businessman who built his empire by climbing over everyone beneath him. When Nader — desperate and naive — walks into his orbit seeking money, he finds there's no clean way back out. A Syrian social drama that traces how class, greed and moral compromise trap people in invisible prisons long before any actual bars appear. Starring Bassam Kousa, Bassem Yakhour and Sulafa Mimar. Directed by Allaith Hajjo.

Known all his life as "the dead woman's son," Shams has never had much — until a staggering revelation turns his world upside down: he is the sole heir to a powerful tycoon's empire. But the inheritance comes with a dangerous condition. To claim his rightful identity and fortune, he must track down the four siblings his father coldly erased from existence. The clock is ticking, the stakes are lethal, and failure isn't just costly — it's a death sentence.

Matar disappears under mysterious circumstances for 20 years, during which everyone has believed he had died a martyr. However, he returns in a new form and builds a financial empire amidst the mystery surrounding the source of his wealth. Using the spider's method, he tightens his grip on everyone and exploits them to achieve his goals of doubling his wealth and taking revenge on his past friends.

Jalal is imprisoned on trumped-up political charges. As he breaks out of prison and crosses the Lebanese borders, he meets his Palestinian friend, Qassem, who is a member of the resistance against the Israelis. Jalal's wife gets the court to grant her divorce in absentia to marry Colonel Nazem.