Karess Bashar

Ayman, Syrian refugee in Lebanon, teaching his wife how to drive his car, the only thing left for him from his country. The lesson takes a wrong turn into madness and nostalgia.

The Happy Bird is a Syrian play directed to children and the family, starring Duraid Lahham and the Tishreen family

As an elderly man on his deathbed looks to give his name to one of his newborn grandsons, he's unable to acknowledge any of them. The three boys grow up with no name in the Syrian mountains, as they struggle to survive in a war-torn country.

The film talks about the story of Zeina and Reem, two women struggling in Syria, they both cross paths with Yousef and his father in a series of events.

The series goes into details of the events that Syria went through between the years 1955-1959, including the tripartite aggression against Egypt in 1956, the establishment of unity between Syria and Egypt, and the revolution against the monarchy in Iraq, through the Qishani neighborhood, where its people work as merchants, lawyers, doctors, intellectuals and other works.

The series deals with the struggle Harun Al-Rashid faced when his brother Al-Hadi tried to dethrone him. After his mother helped him stay in his position, he had to deal with all the plots that were coming his way. The show also examines the civilization under Harun Al-Rashid's rule.

A body falls from the top floor at a glamorous party in Beirut's wealthy elite. Detective Rami begins questioning the guests and quickly discovers that four women — Falak, Alma, Joelle and Nayla — are bound together by a web of secrets, betrayal and hidden history. A glossy Lebanese murder mystery set among the privileged class.

Known all his life as "the dead woman's son," Shams has never had much — until a staggering revelation turns his world upside down: he is the sole heir to a powerful tycoon's empire. But the inheritance comes with a dangerous condition. To claim his rightful identity and fortune, he must track down the four siblings his father coldly erased from existence. The clock is ticking, the stakes are lethal, and failure isn't just costly — it's a death sentence.

Dalila wal-Zaybaq (دليلة والزيبق) is a 2011 Syrian historical adventure series set during the Mamluk era, spanning Cairo, Baghdad, and Damascus. At its heart is a gripping battle between good and evil — Dalila, a cunning and ruthless woman who stops at nothing to achieve her goals, and Zaybaq, a brave young hero who rises to confront her wickedness after she kills his father. A lavish reimagining of a beloved classic from Arab folklore, starring Karis Bashar and Wael Sharaf.

Nader is lost between his parents, who are experiencing a struggle between love and hate, Lulia, who is persecuted by her stepmother, Dalal, whose hatred for her stepdaughter reaches the point of attempting murder. Dalal considers Lulia the reason for her unhappiness, but when Lulia leaves her life, she discovers her mistake. Tahseen her husband can only run away from problems and cannot solve any of them.

Al-Hakam is a powerful figure who built his empire on smuggling, corruption and exploitation during Syria’s war years. His son Rayan, an honest police officer, finds himself drawn into the very criminal networks his father operates within. A dark Syrian crime drama that explores war profiteering, systemic corruption and the human cost of conflict — using a fractured father–son relationship to examine how deeply these systems run through society.

The series revolves around politics and corruption in 1980s Syria. An aspiring university student is forced to become a police officer and climb the political ladder, revealing bitter truths along the way.

The show tells the story of a playwright, Jalal, who holds secular views, and his close friendship with Michel, his childhood friend. Michel initially worked as a lawyer but later transitioned to journalism, founding his own magazine in which he boldly addresses societal issues, drawing significant criticism. Additionally, the narrative explores themes of separating religion from civil and political life through a love story between a man and a woman from different faiths: Jalal (a Muslim) and Hanan (a Christian). Their relationship culminates in a secret marriage, which lasts until Jalal’s sudden passing. Throughout the story, the work focuses on two major issues related to secularism: the demand for a civil personal status law that permits civil marriage, and the call for a secular education system that allows students the freedom to seek their own truths instead of being indoctrinated with a predetermined "absolute truth." It also tackles issues of political and social corruption.

The events revolve around the migration and the difficult circumstances of a mixture of Arab citizens and refugees produced by the Iraq war.

The series explores the difficult circumstances faced by people from diverse backgrounds and professions, including a university professor, a new journalist, a low-income employee, and others. The central character is the general manager of a large, responsible construction company, where the potential for illicit gain is significant. He is a fickle man, a master of manipulation, who feigns honor and morality because he respects the law out of sheer fear of it—the core premise of the show. The series unfolds in a satirical, socially relevant, and humorous style, relying on witty situations to elicit a smile.

Life returns to a building abandoned after the Lebanese Civil War when it becomes a temporary haven for Syrian refugees, as war ravages their homeland.

A man entrusts Abu Al Makhraz with a huge sum of money and disappears. When Abu Al Makhraz dies, his family finds themselves pitted against his relatives.

The series discusses the stories of young university students, their reality during their studies, and the hardships and unknown fate they endure after graduation.

Mariam flees the war in Syria and ends up stranded in Beirut — undocumented, alone and utterly invisible to the city around her. Survival pulls her into the orbit of Omran and Aziz, two men whose own complicated lives become tangled with hers in ways none of them expected. A Lebanese drama that uses one Syrian refugee's struggle to illuminate the human cost of displacement — and the unexpected connections formed at the margins of a city under its own strain. Stars Abed Fahd and Karess Bashar.

A romantic drama about a girl who has kept her love for someone a secret for more than ten years and then decides to tell him in her own way, but what happens next?

A female screenwriter in Damascus, Syria is politically detained which drastically affects all aspects of her life.

A gold salesman is a professional in his field where he deals with plenty of women and takes advantage of them along the way, resulting in unpleasant consequences.

The daughter of the quarter's chief, Khatoon pushed by love, rebels against traditions and wages confrontations with her family and the residents

The series manifest the lives of war veterans, and addresses subjects such as love, hope and life after war. There is also the ugly side of war such as organ trafficking and arms dealing.

A Syrian social drama series that sheds light on a neighborhood in one of the slums in the vicinity of Damascus, around a poor family consisting of a mother and her four children, who strive to meet their needs and achieve their ambitions with the tools available to them, while focusing on solving future problems at the time, leaving them to chance, luck, mischief, whim, or influence.

The series sheds light on the life of the Al-Jalali family, one of the most prestigious families in the city of Aleppo. The story revolves around a man who amassed a great fortune through both legitimate and illegitimate means, including depriving his siblings of their rightful inheritance. As time passes, the elder of the Al-Jalali family falls ill and finds himself with no one to assist him and his children except his brother—whom he had previously denied his wealth. However, mysterious events surround the disappearance of Haj Amin's money at the hands of his brother Anas.