Eu, a Vó e a Boi

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

Fernanda and Vivi are identical, but from different worlds. A cruel plan swaps their identities and transforms their lives into a game of lies and ambition.

Set in Poços de Caldas, Minas Gerais, the story shows how Pardal and Bebel, young people newly arrived in the city, fall in love. However, each hides their true identity from the other.

The disappearance of Áurea Menezes Garcia sparks a fierce dispute over her business dealings. Firmino, her attorney, assumes power, but faces the greed of her children.

The daily lives of a typical Brazilian middle-class family, that are always very close and tries, in their way, to survive the financial and relationship difficulties.

The soap opera's central theme is life after death, inspired by the philosophy of Allan Kardec, the codifier of Spiritism. The character who drives the plot is Alexandre, a delinquent who kills himself in prison after being convicted of robbery followed by homicide and goes on to torment the lives of all those he considers responsible for his tragic fate.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

It follows the lives of the members of a dysfunctional family, their maid and the doorman of the apartment building in which they lived.

Inspired on Jorge Amado's romance "Tieta do Agreste", the plot is set on the fictional city of Santana do Agreste, at Brazil's northwest, and has as main theme Tieta's life turnarounds. Twenty-five years after being chased out of town by her father Zé Esteves, she returns to her home town seeking revenge against everyone who mistreated her and laugh at her face in the past.

Brazilian comedy about two couples living next to each other in the same building. This show explores the antics between the two couples.

The series is set in the 1970s. In the story, the mayor clashes with the idealist Francisgleydisson, owner of Cine Holliúdy—the only cultural attraction in Pitombas, a fictional town in Ceará.

Gerluce became pregnant as a teenager and, just like her mother, Lígia, she raised her child alone. Now, Gerluce watches her daughter Joélly become the third generation of the family to go through the same situation. Besides the impact that teenage pregnancy brings to the whole family, the three Marias das Graças must deal with Lígia’s worsening health.

Adaptation of the series shown in 1992. A sequence of crimes in the same style intrigue: a man walks with a woman on the beach; she dresses as a bride and is brutally strangled in the middle of the act of love. To prove the authorship of the crimes is the great challenge of detective França.