Miguel Falabella

When the progress of robotics makes Paralympic athletes the new sports stars, Maria dreams of competing against her sister. For that, she will have to enter a world of crime and violence.

The story of two radically different men thrown together in a Latin American prison cell. One is Valentin, a journalist being tortured for his political beliefs. The other is Molina, a gay window-dresser who fills their lonely nights by spinning romantic fantasies drawn from memories of old movies.

Recording of the Brazilian production of 'Hairspray'. The story is set in 1962 in Baltimore and follows the dream of teenager Tracy Turnblad to dance on the Collins Corny Show. When Tracy lands a role on the show, she becomes a celebrity and launches a campaign to make the show more inclusive.

Reunited for their mother’s funeral, four sisters – Selma, Regina, Laura and Lúcia – find themselves forced to divide much more than an apartment in Copacabana. While dividing the articles, the sisters compare options, destinies, lifestyles, and expectations. The turbulent sale of the apartment represents a turning point in their lives: they know they have never been so deeply involved as accomplices, or as sisters.

Comedic portrait of middle-aged women in Rio de Janeiro, including overworked housewife Magali and her over-the-top twin sister Magda, psychoanalyst Paula and her troublesome daughter Melanie, and stage star in crisis Lise.

In order to get evidence for her case and dismantle a criminal organization, an uptight undercover cop crashes a high school graduation trip to a party-heavy beach in Brazil.

Famous soap opera actress finds out her sexuality after breaking up with her former boyfriend, an important TV executive.

The great battles are the backdrop for the unfolding of the Egyptian Queen's personal life. The strategy of Cleopatra is to seduce the Roman General Julius Caesar and Mark Antony to protect their civilization.

Based on the classic Brazilian television series that conquered audiences during Sunday night prime time on TV Globo, with improv that happens like in scenes of a play. The feature film’s structure maintains the members of a middle-class family from São Paulo, their maid, and the building’s doorman. It’s the return of iconic characters like Caco Antibes, Magda and Ribamar, and also new characters.

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

After meeting a beguiling woman in a movie theater, a realtor becomes embroiled in a mysterious plot involving murder, double identities and movies.

Adaptation of the series shown in 1992. A sequence of crimes in the same style intrigue: a man walks with a woman on the beach; she dresses as a bride and is brutally strangled in the middle of the act of love. To prove the authorship of the crimes is the great challenge of detective França.

Célio Rocha believes he was assigned by God Himself a difficult mission: to persuade his childhood friend Otávio Sabóia, a corrupt entrepeneur in the construction business, to give away all his possessions to the poor.

Reencountering the only man she ever loved is Gringa’s dream. She is the owner of a brothel in the interior of Brazil and even though she is blind and very sick, she insists on fulfilling her last wish: to go to Venice to apologize to the lover she abandoned decades ago. To take her to the Italian city, Tonho, Rita and the other girls who work for Gringa come up with a fantastic plan with help from a circus troupe.

The routine of a group of brazilian teenagers living in Brasília, Brazil's capital. Their aspirations, dreams and illusions presented in a context of a country that was on the final years of a dictatorship back in the 1980s.

An Italian businessman travels to Brazil looking for a new job. When things don't go his way, he becomes despondent until he meets a beautiful woman who reveals Rio de Janeiro's most magical, secret locales.

Worker Norival's life turns upside down when he is caught kissing his co-worker Catarina during work hours. He is fired for just cause and faces the hardships of the labor lawsuit he filed against the company.

Angel works in a wedding dress store. Ulisses, her boyfriend, works as personal trainer. They are swallowed for the television and, to leave, need to discover how to use the Ulisses' ring.

A final conversation with departed actor, director and musical producer Julio Calasso Jr., a key character in the Brazilian artistic scene. At his old house in Butantã, São Paulo, Julio talks about his experiences, frustrations, joys and tragedies.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

The daily lives of a typical Brazilian middle-class family, that are always very close and tries, in their way, to survive the financial and relationship difficulties.

Gerluce became pregnant as a teenager and, just like her mother, Lígia, she raised her child alone. Now, Gerluce watches her daughter Joélly become the third generation of the family to go through the same situation. Besides the impact that teenage pregnancy brings to the whole family, the three Marias das Graças must deal with Lígia’s worsening health.

It follows the lives of the members of a dysfunctional family, their maid and the doorman of the apartment building in which they lived.

Fernanda and Vivi are identical, but from different worlds. A cruel plan swaps their identities and transforms their lives into a game of lies and ambition.

Brazilian comedy about two couples living next to each other in the same building. This show explores the antics between the two couples.

Inspired on Jorge Amado's romance "Tieta do Agreste", the plot is set on the fictional city of Santana do Agreste, at Brazil's northwest, and has as main theme Tieta's life turnarounds. Twenty-five years after being chased out of town by her father Zé Esteves, she returns to her home town seeking revenge against everyone who mistreated her and laugh at her face in the past.

The soap opera's central theme is life after death, inspired by the philosophy of Allan Kardec, the codifier of Spiritism. The character who drives the plot is Alexandre, a delinquent who kills himself in prison after being convicted of robbery followed by homicide and goes on to torment the lives of all those he considers responsible for his tragic fate.

The synopsis was loosely inspired by an argument by Paulo José called Cidade das Formigas. It was based on what happened in the city of Formiga, in Minas Gerais, where women work for large clothing manufacturers in the country. In Formiga Real, women guarantee a large part of their families' livelihood with this work.

Nonô Corrêa, a character inspired by Molière's "The Miser", is the story's protagonist. The orphan Zezinho crosses paths with Nonô and wins the neurotic gentleman's heart.

Cristiano Vilhena is a young man from the countryside who dreams of high society, risking his happiness alongside Simone.

With lightness and humor, the soap opera tells the story of Heloísa, a kind and hardworking woman whose life is transformed when she becomes involved with her boss's family and business partners.

After becoming a widower, businessman Aparício Varela takes over as president of Tecelagem Abdala and decides to win back the great love of his life, Rebeca.

Set in Poços de Caldas, Minas Gerais, the story shows how Pardal and Bebel, young people newly arrived in the city, fall in love. However, each hides their true identity from the other.

The disappearance of Áurea Menezes Garcia sparks a fierce dispute over her business dealings. Firmino, her attorney, assumes power, but faces the greed of her children.

The elegant and wealthy Bárbara gives birth to a stillborn child, but never receives the bad news. Her husband, Guilherme, swaps the child's body for that of a baby whose mother is very poor and unable to raise him. Thirty years later, Eugênio, the swapped boy, suffers mercury poisoning, develops leukemia, and needs an urgent bone marrow transplant. But the surgery can only be performed with a donation from a blood relative. Faced with the risk of his son's death, Guilherme tells Bárbara the truth. With everything clarified, the two go in search of Anabel Muñoz, the boy's real mother and the only one who can save his life. Anabel kept her pregnancy a secret, but never forgot the child she had with the unscrupulous Urbano. She is the widow of the Cuban Félix Muñoz and has five other children: Valentim, Remédios, Amparo, Assunção, and Antônio.

Frustrated in their relationships, Claudia and Vicente meet on a trip to Colombia. Chance sparks a great friendship between them, but a kiss puts their future in jeopardy.

Unhappy in her marriage, Rachel decides to separate from her husband, the businessman Virgílio. Determined to turn her life around, she moves from Petrópolis to the southern zone of Rio de Janeiro with her daughter, Clara, and goes to live in her mother Laura's house in Ipanema. There she falls in love with the charming, but gruff, Heitor, owner of a mechanic shop. He lives with his sister, Irene, in an old townhouse, one of the main settings of the telenovela.

The series is set in the 1970s. In the story, the mayor clashes with the idealist Francisgleydisson, owner of Cine Holliúdy—the only cultural attraction in Pitombas, a fictional town in Ceará.