Stalk

1980. The Videotex messaging service arrives in France. From the depths of their Parisian suburbs, Simon, Toni and Stéphanie, three students, will seize this technological innovation and challenge their enmity to draw a revolutionary idea: the first erotic chat service.

During a French business school’s hazing weekend, the body of a drowned student is discovered on the banks of a lake. Police responding to the incident question witnesses, but their stories don’t add up and they begin to suspect that this tragedy was no accident.

Émilie lives in a world of surveillance: her camgirl work; the camera phone lingering on a crush from afar; the headset affording her a drone’s perspective. The same drone that stalks each move she makes, offering inspiration, noting rivals. An unsolicited companion is conspiring with or against her. A financially strapped transplant now living in the Paris suburbs, Émilie is thrust into a high-powered world when she is chosen for a renovation workshop with a prestigious architect. Her classmates come mostly from “filthy rich” backgrounds, like cocky Olivier, who wants Émilie as his conquest. But Émilie has shy eyes only for self-sufficient Mina, whose music builds like a “helicoid.” A drone—unlike any known model—is watching her all along waiting for her next move and paying handily for the privilege.

Somehow everyone knows that you reveal everything about yourself on the internet - where you are, what you are interested in, who you communicate with, when, where and how. The interactive documentary shows what the internet knows about us, what happens to our data and what this means for our view of the world. The 30-minute television version presents the highlights of the web documentary series about the multi-billion dollar business with our data. The international web project 'Do Not Track' shows the consequences of internet tracking (derived from the English 'to track'), which companies such as Google and Deutsche Telekom use to monitor when and where we click on which online content. Google alone earns an estimated 55.5 billion US dollars per year from this information.

10pm on a summer's evening. The sun goes down over the Place de la République in Paris. Lucie and Rio embark on an "urbex", descending into the city's abandoned underground networks. The two teens share their adventure live on social media. On a subway platform, two young lawyers are on their way to join some friends. They film themselves as they wait for the train. Nora and Djibril have just made love. While he heads off to work, she meets a friend for the evening. None of them yet know it, but moments later, a terrorist attack will change their lives, linking their destinies forever. In a few moments, they are about to enter the darkness. The fiction unfolds through three simultaneous video feeds, filmed on cellphones and available to all via social media.

A nine-hour program that shows a man walking backwards through Tokyo – and nothing else – it appears. Ludovic Zuili, walking backwards through the capital of Japan. The video is shown back to front so that Zuili seems to be walking normally through a world moving back in time.

Somehow everyone knows that you reveal everything about yourself on the internet - where you are, what you are interested in, who you communicate with, when, where and how. The interactive documentary shows what the internet knows about us, what happens to our data and what this means for our view of the world. The 30-minute television version presents the highlights of the web documentary series about the multi-billion dollar business with our data. The international web project 'Do Not Track' shows the consequences of internet tracking (derived from the English 'to track'), which companies such as Google and Deutsche Telekom use to monitor when and where we click on which online content. Google alone earns an estimated 55.5 billion US dollars per year from this information.