Fang Lan

“And they lived happily ever after” is an ending we are all too familiar with. On Marriage focuses on portraying all those struggles that couples encounter when they give up themselves to fulfill their marriage. In this anthology series, each individual episode explores varying meanings of marriage from five unique perspectives.

Sea finally meets his idol, Neil, only to find a broken man behind the legend. Music may be what saves them both.

A lifelong fear of dentists fades when Bai Lang meets Dr. Jin, whose care might mean more than just fixing teeth.

As final exam approach, a shocking “suicide notice” appeared in Enshan high school. It accuses the exam system of crushing students and threatens suicide on the exam day. The school is afraid of triggering more anxiety among students, and worried about its reputation. At the same time, they urgently try to identify the person. As the truth slowly unravels, it turned out to be a scandal in the education system.

Aya, a young Ivorian woman in her early thirties, says no on her wedding day, to everyone’s astonishment. After emigrating to Asia, she works in a tea export shop with Cai, a 45-year-old Chinese man. Aya and Cai fall in love but can their affair survive the turmoil of their past and other people’s prejudices?

Ah Dai comes from a family that runs a prestigious orthodox temple. His childhood sweetheart, Yufan, is desperate to locate her missing aunt. In his attempt to help, Ah Dai agrees to participate in a special ritual that his schoolmates believe could help them seek assistance from the gods to grant their desires. However, they are lured into praying to evil forces instead. As his schoolmates die one after another, Ah Dai tries to use his gift to exorcise evil to save his friends. At the very end, he faces a completely demonized Yufan and must fight her to save the neighborhood.

Directed by Peter Ho, the ten-part show with 60-minute episodes, explores relationship issues and marital challenges, and depicts painful dilemmas for the characters through a unique lens on their daily lives. The screenplay is by Ho and Chiang Yu-Chu.

Across three eras, eerie dreams of a red snake connect the intertwined fates of two families. In 2026, Xiao Lian’s play about her grandmother Paochu’s guerrilla tales sparks a political backlash. Seeking Paochu’s hideout with the guide, Yulao, they find a dead Vietnamese logger. In 1989, police informant JunXian breaks from his handlers after confessing to Ya-Hong, Xiao Lian’s mother, who's the editor in chief of a magazine, then is framed for robbery and is tortured by the police. In 1952, A-Kun, an idealistic enforcer for Paochu’s guerrillas is also a henchman for them. History repeats itself as love and justice struggle against a legacy of hatred.

In a post-apocalyptic world, Hao survives in a city under the repressive military, chasing ancient inhabitants who have become monstrous. Hao's girlfriend, Ying, is one of them. Hao tries to protect her despite the danger she represents for him.