Wu Yi-jung

The arrogant, third most-wanted criminal in Taiwan, decides to get rid of the top two competitors and crowns himself the most-wanted criminal before dying.

Aspiring to become a parkour influencer, a gifted young man from an exorcist family gets caught up in a swirl of spooky events at an eerie hotel.

In Taiwan, as the 2019 Hong Kong protests erupt across the strait, Zhong-Han, a young silent thug, leads a life divided between his work in a family restaurant and parties in the dark Taipei underworld. But when a questionable businessman wants to buy the restaurant, Zhong-Han is drawn into a whirlwind of events that confronts him with the corrupt power games of his country.

What haunts us is not only death, but aging. Pei-Hua is drawn like a blurred sketch—gray, undefined, embodying the quiet experience of a woman growing older.Mothers often remain fixed in place, becoming a point of reference for their daughters’ journeys. Each of us carries a “carry-on”—unfinished burdens or lessons meant to be faced in this life. When we finally leave, do these carry-ons remain? In the film, a fire becomes a ritual of release, a way of saying goodbye. Life is rarely pure joy or sorrow, and The Carry-On is no exception.

In dreams, a mother is reunited with her deceased daughter. The daughter takes her mother by the hand, and leads her through darkness, to the edge of light. As they embrace, a new hope emerges, weaved together by a love that can’t be stopped, and a bond that never fades.

9 years-old Yu and 15 years-old Guei are half-sisters living without their parents. Guei always takes good care of Yu like a mother, however it leads Yu to be teased by her classmates. One day, to protect the status of Yu's real mother in her heart, Yu accidentally hurts Guei.

Anne—seated in an obstetrics and gynecology clinic—grapples with a heart-wrenching dilemma: whether to terminate her unexpected pregnancy to pursue a high-paying job in the United States or stay in Taiwan and embrace life as a single mother. As the conflict between her rationality and emotions intensifies, her deep-seated fear of family life emerges like an unfathomable monster from within, threatening to consume her entirely.

Timid Xiao Mu who’s often being bullied while his mother is not around because of her work. He always watches his Japanese monster movie alone, hoping that the silkworms he raises will emerge and become his favorite monster “Amola” with beautiful wings. However, Xiao Mu's expectations fail when his mother notices that what he really longs for is just pure companionship.

A comic book writer is invited by a film production company to adapt her short comic collection about casual relationships. As she navigates the changing streaming market and the company’s demands, she must devise various adaptation concepts for a movie, half-hour, or hour-long series. Her research takes her to hotels, and under pressure, she meets someone who inspires personal transformation.

What Mei wants is a simple relationship with someone who loves her dearly. However, fate decides otherwise. After a failed marriage and an immoral affair with a married man, she gives up on life because of one setback after another. For the past decade, she has barely survived with her mentally disabled son, Diku, and her dementia mother. But when she bumps again into her ex-husband, Zhi-yuan, her life is no longer quiet. His glove puppetry saves her show. She feels as if she is about to get the happiness that she wants. However the success of her show has incurred her rival’s displeasure. The show is forced to be canceled. In the meantime, an accident kills Zhi-yuan, which makes her so depressed that she intends to end her miserable life. While Standing by the sea, Mei finally realizes that she has in fact got what she has been searching for. Therefore, she runs back home to try to prevent an imminent tragedy from happening.

After getting married and having a child, Fang-Lan finds herself doing the same unchanging household chores day after day. Today she has received a invitation from her high school classmates association. Returning to a home where her son is constantly on the phone and her husband smells of alcohol, Fang-Lan's pent-up loneliness suddenly erupts…

A ten-part hour-long series that follows the aftermath of a mass-shooting where all parties involved - the killer, the victims, the victims’ families, the media and the defense teams, whose fates are all intertwined.

Possessing nothing after repaying her debts, HAN Zhen-zhen moves to her sister’s fancy neighborhood with her husband, ZHUANG Jun-jie, and daughter, ZHUANG Ying-wen, and wishes to start a new life. However, she accidentally gets involved in the neighborhood’s power struggle and the seemingly hopeful future becomes uncertain.Meanwhile, Ying-wen, struggling to cope with the trauma of being bullied in the past, is sexually assaulted soon after moving to the neighborhood. The anguished father Jun-jie accuses another new resident, JIANG Zheng-ming, a baseball star, of being the culprit. Suddenly, the swayed public opinion followed by rumors and cyberbullying renders Zheng-ming helpless. All he can do is proclaim his innocence before reporters. Who is the true culprit? What is the truth?

Muqi, a young pop star becomes more and more arrogant, especially with his manager Nagatsuki, a long-time friend who suddenly commits suicide. Muqi finds himself crushed by sadness and guilt. At the funeral, he meets Master Bensheng, guru of a cult his friend belonged to. If at first, he finds comfort within his place, cracks may soon appear in the caring appearances of the cult members.