Wu Yi-jung

The arrogant, third most-wanted criminal in Taiwan, decides to get rid of the top two competitors and crowns himself the most-wanted criminal before dying.

In Taiwan, as the 2019 Hong Kong protests erupt across the strait, Zhong-Han, a young silent thug, leads a life divided between his work in a family restaurant and parties in the dark Taipei underworld. But when a questionable businessman wants to buy the restaurant, Zhong-Han is drawn into a whirlwind of events that confronts him with the corrupt power games of his country.

Aspiring to become a parkour influencer, a gifted young man from an exorcist family gets caught up in a swirl of spooky events at an eerie hotel.

What haunts us is not only death, but aging. Pei-Hua is drawn like a blurred sketch—gray, undefined, embodying the quiet experience of a woman growing older.Mothers often remain fixed in place, becoming a point of reference for their daughters’ journeys. Each of us carries a “carry-on”—unfinished burdens or lessons meant to be faced in this life. When we finally leave, do these carry-ons remain? In the film, a fire becomes a ritual of release, a way of saying goodbye. Life is rarely pure joy or sorrow, and The Carry-On is no exception.

In dreams, a mother is reunited with her deceased daughter. The daughter takes her mother by the hand, and leads her through darkness, to the edge of light. As they embrace, a new hope emerges, weaved together by a love that can’t be stopped, and a bond that never fades.

What Mei wants is a simple relationship with someone who loves her dearly. However, fate decides otherwise. After a failed marriage and an immoral affair with a married man, she gives up on life because of one setback after another. For the past decade, she has barely survived with her mentally disabled son, Diku, and her dementia mother. But when she bumps again into her ex-husband, Zhi-yuan, her life is no longer quiet. His glove puppetry saves her show. She feels as if she is about to get the happiness that she wants. However the success of her show has incurred her rival’s displeasure. The show is forced to be canceled. In the meantime, an accident kills Zhi-yuan, which makes her so depressed that she intends to end her miserable life. While Standing by the sea, Mei finally realizes that she has in fact got what she has been searching for. Therefore, she runs back home to try to prevent an imminent tragedy from happening.