Material

24-hour television documentary about Berlin and its inhabitants, reporting in real time on the everyday lives of more than 50 protagonists from a wide range of professions, social classes, religions and ethnicities.

Solar System is a film about disappearance. It is a portrait of daily life in the indigenous community of the Kollas in Tinkunaku in the mountains of northern Argentina.

Thomas Heise's documentary portrays the meeting of officials and citizens in the district office of Berlin-Mitte in 1984. The movie uniquely displays how socialist officals and citizens interact.

Director Thomas Heise picks up the biographical pieces left by his family, and composes an epic picture of four generations of his family, of a country, of a century.

In Bettina Büttner’s exquisitely lucid documentary Kinder (Kids), childhood dysfunction, loneliness, and pent-up emotion run wild at an all-boys group home in southern Germany. The children interned here include ten-year-olds Marvin and Tommy. Marvin, fiddling with a mini plastic Lego sword, explains matter-of-factly to the camera, “This is a knife. You use it to cut stomachs open.” Dennis, who is even younger, is seen in a hysteric fit, mimicking some pornographic scene. Boys will be boys, but innocence is disproportionately spare here. Choosing not to dwell on the harsh specifics, Büttner reveals the disconcerting manner in which traumatic episodes can manifest themselves in the mundane — a game of Lego, Hide and Seek, or Truth or Dare. Filmed in lapidary black-and-white, Büttner’s fascinating film sheds light on childhood from the boys’ characteristically disadvantaged perspective — one not yet fully cognizant — leaving much ethically to ponder over.

Bucharest, October 1989: a secondary school student disappears without a trace. Weeks later, he resurfaces at a meeting of the Communist Youth where he is denounced for certain "reprehensible actions" and excluded from the organization. As a result of the same "reprehensible" deeds he is expelled from the school. His schoolmates are never told what his actions actually were. "Notorious deeds, unworthy of being mentioned," is the only comment provided by a high-level communist party representative. Now, 25 years later, those involved are keen to tell their side of the story.

Ten years after breaking off the film "Anka and ..." nearly all the protagonists of that time have disappeared. Mario and Tilo hung themselves in the final phase of the GDR, Frank is surviving in West Berlin addicted to drugs, and Karsten is doing pretty well there. Anka, however, who once was in love with each of them, lives alone with her danghter in Eisenhüttenstadt. A film about normality in life.

CONSEQUENCE tracks the tiring working day between Christmas Eve and New Year at a small German crematorium operating 24/7.

In Saxon-Anhalt, near the town of Zerbst, set away from busy roads, next to a deserted military landing strip, is the village of Straguth. An unimportant place. Lost in time. Or ahead of time. The film describes the people of this quiet place, in the past, the present and the future. A film like the digging of a hole. If one could dig in spiral form. And dig a black hole. An archaeological journey to landscape, people and things, traces of changing times and transition. Wide open landscapes and detailed drawings of people within. And on entering Otto Nathos’ modest bar, there is always talk of the war. The era of youth.

Under the artistic direction of director Andreas Dresen, 20 renowned documentary filmmakers, experienced television writers, and teams tell stories about the country and its people. The teams filmed at 20 different locations between June and August 2010 under the same production conditions: four days of filming, one week of editing.

Every evening at 6:45 p.m. sharp, a prominent guest takes a seat on the red sofa—and DAS! provides daily updates on what's hot in the north.

A group of young people in Halle-Neustadt moving aimlessly between the concrete blocks once built as a socialist model housing estate. Familiar certainties dissolved along with the GDR. Even though there were hardly any foreigners in Saxony-Anhalt, a dull aversion to everything that hadn’t been part of daily life until then began to spread. The general dissolution, perceived as a threat, is countered by apparently clear world views. When Thomas Heise won the “Documentary Film Prize 1992” at the Duisburger Filmwoche, the laudation ended with the assumption that the film would probably provoke disagreement. It turned out to be true.

Documentary by Thomas Heise filmed in East Berlin in 1987/88.