Fritz Marquardt

A wide-ranging, energetic period piece tracing the rise of the Protestant Henry of Navarre as he goes from battlefield warrior to France's beloved King Henri IV. Director Jo Baier's epic is a classically entertaining adventure, albeit one with more than a little bloodshed and frequent bawdy sexual interludes. In late 16th-century France, Catholics and Protestant Huguenots were at war. Seemingly seeking peace, the French dowager queen, Catherine de Medici summons Henry to her court to have him marry her daughter, uniting the two warring factions. However, the Catholics slaughter the Protestant wedding guests in what became known as the St. Bartholomew's Day massacre and Henry-now married-must use all his guile to both stay alive and maneuver for the throne. [Written by Palm Springs International Film Festival]

The film is set in 1989/1990 at a time when the "socialist" ideology underwent another major revolutionary collapse and the supposedly only progressive German "socialist", but walled-in GDR, joined the free West German society of the Federal Republic of Germany. In those days, the son of an East German teacher turns his back on the GDR because he is fed up with the eternal talk of the alleged superiority of "socialist" society and this "socialist" old day is nothing but dreariness and eternal gray everyday life for him. His mother, the convinced teacher and communist Christine Rautmann, suddenly realizes that her eternal propaganda of a golden socialist future is not falling on fertile ground with either her son or her pupils. She is suddenly faced with the ruins of her life as a teacher and mother. She herself becomes a seeker on a tremendously shaky social ground.

Tambari - it's a name of an old boat which children of a small village on a Baltic sea shore got from an old fisherman Luden. But not all the village adults were ready to approve it...

This story of the miller Florian, who gave all his money to the war against Napoleon, is loosely based on a true story. After the war, Florian's reimbursement is challenged, and he must also pay taxes on his destroyed mill. He resists the tax collectors and takes off to Vienna, where he intends to defend his rights. On the way, he rescues the Duchess of Guastalla from assault. She also wants to go to Vienna, as His Majesty Franz II is trying to contest an heir in her favor. With cunning, luck, and dagger, Florian fights his way through a slew of nobility and their secret police.

In 1920, Michael, the son of a German laboring man, decides to travel to Russia. As "red horseman" he wants to support the socialist revolution and fight for the welfare of the working class. The journey towards the east turns out to be both a big adventure and a severe ethical test for the young man. He has to escape the German Armed Forces and ends up at a traveling circus where he falls in love with Fanny, a dressage rider. He overcomes the temptation to stay with her at the circus and - after briefly joining a gang of teenage thieves - he eventually boards a ship heading east. Aboard the ship he finds out that the seamen are transporting weapons for the hostile members of the White Army.

A young boy fantasizes his way to school into a battle between cowboys and Indians, where the bad guys want to steal some gold medals. Real events and fantasy interacts in his mind.

Ralf Paeschke is a film student who has to make a documentary film about a group of women working in a lamp factory. There is brazen Susie, mischievous Kerstin, lonely Anita, single Ella, withdrawn Gertrud and the imposing forewoman. When Kerstin is suspected of stealing, tension among the women mounts. Ralf demands that things be clarified, and his film plays an unexpected role in the matter.

A little everyday story about a man, his wife, her father, an old friend, and a few scenes from the unspectacular lives of ordinary people. Shot in a Berlin apartment with its authentic interior, the cinematic chamber play comically tells the story of the end of a marriage.