O Presidente Improvável

Revolta dos Malês

Salvador, Bahia, January 1835. After more than a decade of hard work, Guilhermina, 27, a slave of Muslim origin, finally gets the resources to buy her manumission, as well as that of Teresa, 11, her teenage daughter. But, contrary to an old promise, his “lord”, farmer Souza Velho, refuses to sell the girl's letter. When Pacific Licutan, Salvador's most esteemed Islamic leadership, is arrested by the Bahian authorities, the Muslim community goes into a boiling state and begins to articulate a jihad. In desperation, Guilhermina sees in the uprising the only way to win her daughter's freedom.

Eternal Amazonia

At a time when the world is discussing the impact of human actions on the environment, Amazônia Eterna presents a critical analysis of how the world's largest tropical rainforest is understood and appreciated.

Boy 23: The Forgotten Boys of Brazil

The film accompanies the investigation of the historian Sidney Aguilar after the discovery of bricks marked with Nazi swastikas in the interior of São Paulo. They then discover a horrifying fact that during the 1930s, fifty black and mullato boys were taken from an orphanage in Rio de Janeiro to the farm where the bricks were found. There they were identified by numbers and were submitted to slave labour by a family that was part of the political and economic elite of the country and who did not hide their Nazi sympathizing ideals.

João por Inez

Inez Cabral portrays her father, João Cabral de Melo Neto, in the year of the centenary of the birth of the "poet of precision", renovator of Brazilian poetic language.

Soldados do Araguaia

During the period of military dictatorship in Brazil, a group of low-ranking soldiers were sent to the Amazônia in order to exterminate the so-called Guerrilha do Araguaia, an armed struggle movement that was against the dictatorship. After forty years, the survivors of this mission report their combat experiences for the first time.

Leopoldina - A Imperatriz do Brasil

The fundamental role of the Austrian Archduchess Maria Leopoldina in the independence of Brazil. Through the reading of personal letters and archival images, the film transports viewers to Imperial Brazil, presenting a strong Empress, ahead of her time and politically more prepared than many imagined.

Sexa

Bárbara, 60, fed up with society's expectations of aging women, swears off romance to please her son. But when she falls for 35-year-old Davi, she must choose between the role imposed on her or embracing a passionate new love.

O Debate

Paula and Marcos have just split up after 20 years together. He is editor-in-chief of a news program and she is a television presenter. They have differing opinions, but remain friends and work partners. But despite this, the relationship of respect between them does not prevent them from having different views on how they should conduct the edition of the best moments of the debate that the TV will show - and that can interfere in the choice of hundreds of thousands of undecided voters.

Com Causa

Funk U All

A documentary about sex based on the world of funk, the most powerful and popular musical genre in Brazil. Without moralizing, the film reveals how, through the body, dance, lyrics, and experiences of its artists, funk expresses resistance, desire, pleasure, and personal affirmation. Combining footage of dances, bodies in motion, key figures from this universe, everyday scenes, and a beat that makes everyone move, the film celebrates funk as a vital and cultural force in the Brazilian periphery.

Gerson King Combo – O filme

Fio do Afeto

Thousands of Brazilian women have contributed to the fight against the Covid-19 pandemic thanks to a solidarity network of mask making and donations. Eight women seamstresses - quilombolas, indigenous, riverside, and peripheral - reveal how they came together to survive, ensure income generation and food security for their families, filling gaps left by the State.

Inconveniências Históricas

The Paradox of Democracy

Over the 2010s decade, even in different contexts and different democracies, the lack of satisfaction of society with politics became an unifying trait that caused riots in Brazil, the United States, France, Egypt and Ukraine. All of those governments fell, whether by force or by elections, but corruption keeps happening in the new governments. "The Paradox of Democracy" analyzes this problem with the help of intellectuals who have been studying 21st-century political science.

Hermeto Pascoal - Musicien de la Nature

Ninguém Pode Provar Nada: A Inacreditável História de Ezequiel Neves

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Roundhay Garden Scene

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.