Eternal Amazonia

Salvador, Bahia, January 1835. After more than a decade of hard work, Guilhermina, 27, a slave of Muslim origin, finally gets the resources to buy her manumission, as well as that of Teresa, 11, her teenage daughter. But, contrary to an old promise, his “lord”, farmer Souza Velho, refuses to sell the girl's letter. When Pacific Licutan, Salvador's most esteemed Islamic leadership, is arrested by the Bahian authorities, the Muslim community goes into a boiling state and begins to articulate a jihad. In desperation, Guilhermina sees in the uprising the only way to win her daughter's freedom.

The film accompanies the investigation of the historian Sidney Aguilar after the discovery of bricks marked with Nazi swastikas in the interior of São Paulo. They then discover a horrifying fact that during the 1930s, fifty black and mullato boys were taken from an orphanage in Rio de Janeiro to the farm where the bricks were found. There they were identified by numbers and were submitted to slave labour by a family that was part of the political and economic elite of the country and who did not hide their Nazi sympathizing ideals.

Inez Cabral portrays her father, João Cabral de Melo Neto, in the year of the centenary of the birth of the "poet of precision", renovator of Brazilian poetic language.

During the period of military dictatorship in Brazil, a group of low-ranking soldiers were sent to the Amazônia in order to exterminate the so-called Guerrilha do Araguaia, an armed struggle movement that was against the dictatorship. After forty years, the survivors of this mission report their combat experiences for the first time.

The fundamental role of the Austrian Archduchess Maria Leopoldina in the independence of Brazil. Through the reading of personal letters and archival images, the film transports viewers to Imperial Brazil, presenting a strong Empress, ahead of her time and politically more prepared than many imagined.

Bárbara, 60, fed up with society's expectations of aging women, swears off romance to please her son. But when she falls for 35-year-old Davi, she must choose between the role imposed on her or embracing a passionate new love.

Paula and Marcos have just split up after 20 years together. He is editor-in-chief of a news program and she is a television presenter. They have differing opinions, but remain friends and work partners. But despite this, the relationship of respect between them does not prevent them from having different views on how they should conduct the edition of the best moments of the debate that the TV will show - and that can interfere in the choice of hundreds of thousands of undecided voters.

A documentary about sex based on the world of funk, the most powerful and popular musical genre in Brazil. Without moralizing, the film reveals how, through the body, dance, lyrics, and experiences of its artists, funk expresses resistance, desire, pleasure, and personal affirmation. Combining footage of dances, bodies in motion, key figures from this universe, everyday scenes, and a beat that makes everyone move, the film celebrates funk as a vital and cultural force in the Brazilian periphery.

Thousands of Brazilian women have contributed to the fight against the Covid-19 pandemic thanks to a solidarity network of mask making and donations. Eight women seamstresses - quilombolas, indigenous, riverside, and peripheral - reveal how they came together to survive, ensure income generation and food security for their families, filling gaps left by the State.

Haydee has been seeking justice for victims of human rights violations for 40 years caused by Pinochet’s regime, but today she faces her most intimate battle, the end of a long trial that condemns her torturers, the murderers of the son she carried in her womb. Along the way, health problems will bring back memories of her darkest days.

Over the 2010s decade, even in different contexts and different democracies, the lack of satisfaction of society with politics became an unifying trait that caused riots in Brazil, the United States, France, Egypt and Ukraine. All of those governments fell, whether by force or by elections, but corruption keeps happening in the new governments. "The Paradox of Democracy" analyzes this problem with the help of intellectuals who have been studying 21st-century political science.