Os Que se Vão

In the Espinhaço Mountains one winter, a group of small-town Brazilian girls are experiencing the end of their youth. Impossible romances leave marks on their bodies and the surrounding landscape. Each of the friends finds her own particular way to overcome the loneliness and to live within a tangle of uncertainty.

A woman named Françoise meets a man who's waiting for his bus in a bus station.

Solon inhabits a dry, barren space. She begins her mission to nourish the Earth. The landscape and the character herself are changed. The world is born. The woman is born.

Odete is caught between the past and the future. She goes on a journey, but remains immobile. She faces the abyss and wonders if she will make it out alive.

Yes, we will build a world. We're not dreaming. Despite the struggle, brick by brick, part by part, we will build it. We're not dreaming.

The reunion of a couple and their recollections of a broken love.

It is the first time that Joana, a Brazilian, has visited her friend Kevin in her country, Uganda. They met 20 years ago when they studied together in Germany and have not seen each other for a long time. Now they are close to turning 40 and life is more complex than in youth. This is a film about a friendship between women.

In Fortaleza, Brazil, Eugenio, Joaquim and João use a clandestine radio to scream their hunger for freedom and revolution. They hack the traditional radio stations, overwhelming them with poetry, rebel music, quotes, sound archives and provocations, attacking the bourgeois and capitalistic society. But one day, Salomé, a mysterious and beautiful listener, crashes into their lives, transforming their destiny.

Suçuarana is the name of a mythical place, a lush landscape that appears in the weathered photo of her mother that Dora carries with her always. Dora has been on the road for a long time, hitching rides through Brazil’s mining region in search of her family’s homeland. But no one seems to know this place, seemingly lost to time. And the open road can be troubling for a woman traveling alone, as the generosity of strangers is suddenly eclipsed by danger. After an accident, Dora seeks refuge in an abandoned factory; there, a group of workers have formed a village and a community bond that feels akin to the home Dora searches for, if just for a moment.

Mesmerized by the image of an active volcano on the other side of the world, a woman sets out to meet her fury. On the way, without being able to return, she finds herself in an extraordinary pregnancy, starting the account of the journey that gives shape to this play-film, a journey between theater and cinema inspired by the narratives of fantastic realism.

A small-scale romantic love story, shot with a digital camera in black & white and in a documentary style. We follow the conversation between two lovers, each on a different side of the world; he is in Recife, she is in Kyiv. On one side is dark, on the other light, but both experience the same emotions and hence feel nearness and contact.

Bastu's grandchildren and friends help her pick up the strands of her life after her husband dies.

The living call for revenge. The dead minerals and vegetables demand revenge. It is the hour of general protest. It's time for the destroying flights. It's time for the barricades, the shootings. Famines, desires, cravings, lost dreams, miseries of all countries, unite.

Vale do Jaguaribe, Ceará. Following the route of the Aracati wind, the film moves from the beach to the countryside. During this path, it observes the relationship between man and landscape, thetransformations of space and the limits between nature and artifice.