Clarissa Campolina

Vale do Jaguaribe, Ceará. Following the route of the Aracati wind, the film moves from the beach to the countryside. During this path, it observes the relationship between man and landscape, thetransformations of space and the limits between nature and artifice.

It is the first time that Joana, a Brazilian, has visited her friend Kevin in her country, Uganda. They met 20 years ago when they studied together in Germany and have not seen each other for a long time. Now they are close to turning 40 and life is more complex than in youth. This is a film about a friendship between women.

Everywhere, at dusk, lights and advertising posters become the only living beings among the inert streets. Beings that never meet, strangers almost exactly the same.

Daily life of Belo Horizonte drummer Esdra Ferreira, known as Nenêm. The film goes behind the scenes of the recordings, observing the creative process between longtime friends: Toninho Horta, Mauro Rodrigues and Juarez Moreira, among other musicians.

The Maxakali possess a remarkable plastic and sound refinement revealed in drawings, paintings, clothes, songs and poems. These people have hundreds of years of history. He populated a vast territory, which he traveled nomadicly, from the interior of Minas Gerais and Bahia, to the Atlantic. Today, the Maxakali Indians number around 1,200 people who live in Minas Gerais, in a small territory, between the cities of Santa Helena and Bertópolis. They live under a shadow of poverty widely publicized in newspapers and on television. The film searches for what is missing in the news: the richness of its graphics, its language, its everyday life. Ãgtux means “telling stories”

Solon inhabits a dry, barren space. She begins her mission to nourish the Earth. The landscape and the character herself are changed. The world is born. The woman is born.

Odete is caught between the past and the future. She goes on a journey, but remains immobile. She faces the abyss and wonders if she will make it out alive.