Girls to Buy

Michalina Wislocka, the most famous and recognized sexologist of communist Poland, fights for the right to publish her book, which will change the sex life of Polish people forever.

Helina, a modest checkout assistant at the Butterfly retail chain, dreams about getting a better life for herself and her daughter. An opportunity presents itself when Helina becomes a store manager. However, she soon discovers that the price for better wages and an improved standard of living is dishonesty, employee exploitation, and fraud.

The story of Nina - a modern day Cinderella and Robert - the son of the presidential couple. She is undergoing a transformation in life and is making her first steps in the paparazzi profession. He also wants to live on his own terms and free himself from the spotlight, which may turn out to be more difficult than he thinks. Only fleeting "front page love" or a great feeling for life will spark between the characters?

Inez is a young, aspiring journalist who dreams of love and a job at a prestigious publishing house. Once she gets to the paradise of her dreams, problems will start to multiply. What's more, two handsome men will appear at her side. Both mysterious and unpredictable.

A light comedy about building relationships – with passion and funny misunderstandings. All characters of this movie are in desire for flirt.

A feature film consisting of three half-hour films: "Non Stop Color" directed by Maria Sadowska, "Internal Road" directed by Dorota Lamparska, and "Room for Speed Dating" directed by Anna Maliszewska. All three films were made as part of the "30 minutes" program coordinated by the Polish Filmmakers Association - the Andrzej Munk "Youth and Film" Studio. The "Demakijaż" films are the authorial statements of young women. All three directors are before their full-length feature debut.

A picture of the broken world at the end of the century. A couple of contemporary young Polish intellectuals, artistic souls. They are sensitive beyond mediocrity, hence the daily hustle and bustle is not an excuse for them to live: they want to give it a meaning and shape of their own choosing. They search for their "roots", only to find out once again that, apart from natural tenderness, they have nothing in common with their families. There is no question of rebellion, of generational strife. Today's 30-year-olds face only technical, not sentimental, obstacles; childhood memories of parents not seen every day sink in, the image of a child living apart indifferently.