Они не пройдут

In a backwater town, opera director Andrej Wischnewsky is supposed to put on a production of Mozart's "Don Giovanni".

Electronic data processing is an absolute must in the Information Age. Karl Hoppe, the director of a large plant, is aware of this need for modernization and hires mathematician Dr. Jochen Bernhardt to install computerized systems which are supposed to calculate ways in which the plant could be run more effectively. Dr. Bernhardt is so focused on efficiency that he forgets about the human side of work, causing his girlfriend to leave him and several dissatisfied employees to quit their jobs.

The year 1933: Successful actress Maria Rheine is in love with her Jewish colleague Mark Löwenthal. When the Nazis implement the racist Nuremberg Laws, their relationship is severely endangered. Defiant Maria decides to stay together with Mark and ends her promising career: She assumes a Jewish identity and continues to work under the name Manja Löwenthal. She and Mark perform at the Jewish Theatre in Berlin, until they become victims of an intrigue: Their colleague Judith, who has a crush on Mark, denounces them to the secret police.

Alfons lives with his grandparents on a Silesian village farm at the end of WWII. He adores his grandmother, who runs everything after her husband dies. But everything changes after the appearance of a traveling showman in the xenophobic village.

Friedrich Wilhelm Georg Platow worked for the railways his entire working life. He took up service at the small station of Luege 34 years ago. Now, the line is to be electrified and Platow, who cannot cope with the new technology, has to work on a secondary local line. Georg, his son, a railway worker as well, is to attend a training course, but Georg refuses to go. Then his father comes to a surprising and highly unusual decision. He pretends to be Georg Platow, making himself twenty years younger than he really is and registers for the course.

Susanne and Christian get to know each other during a wonderful week in summer - and fall in love. This, however, leads to conflicts: up to now, Susanne has been living with Wolfgang, a biologist. This shared life was harmonious and based on mutual trust. Wolfgang is not only resolute and in full command of social situations; he has also always been the stabilizing force in the relationship. This is precisely why Susanne now feels drawn to the unsettled, unsteady and frivolous Christian, the complete opposite of the calm, well-balanced Wolfgang. And Christian, working as a shift boss on a natural gas derrick, has become more aware of his personal and social responsibilities as a result of loving Susanne.

The nurses and friends Anna and Annette grow desperate over men and love. At the hospital, Anna has fallen in love with Markus, whom she lovingly calls "moose", but they only meet twice a year, when Markus has time for her. In the meantime, she keeps afloat with flights of fancy. Meanwhile, Annette clings to the painter Ludwig who cannot stand such a close relationship. Through Annette and Ludwig, Anna meets an attractive married man but her high spirits do not last long.

Two farmers, Grimm and Melcher, were once on friendly terms, but a petty argument over a piece of land has since turned them into implacable enemies. Their two children- Veronika and Fabian- used to be childhood friends. When they meet again as young adults, they instantly fall in love, despite the bitter feud between their families. With no hope for a future together, the two seek to end their lives in this retelling of the classic story by Shakespeare.

These days, the streets of Vienna were especially noisy, cheerful, and festive. Young people from different countries came here to hold their traditional festival. New acquaintances, unexpected meetings, heated arguments... There was a heated discussion in the club. Peter, the envoy from Germany, expressed his point of view. The audience was indignant, the audience was indignant. But Peter saw only the Soviet girl Katya, he listened only to her words, angry, resolute, condemning his position.