Caruatá – Vejo o Lugar que me vê

A docufiction film about the fall of Virgulino Ferreira da Silva, widely known as Lampião – the mythical bandit leader from the Brazilian northeast who fought the local power and put his name in history.

A glamorous reception at businesswoman Angela Mahler's mansion attracts high society: businessmen, powerful women, and bons vivants looking for some fun. Unexpectedly, a body is found in the pool and what was a party, becomes a crime scene. Thus begins a frantic hunt for the murderer. Trapped inside the house and in the investigators' crosshairs, all the guests are suspects. The story occurs over a 24-hour period in a web of suspense, ambition, ulterior motive and uncontrollable passion.

An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.

An emotional journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.

When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo – Carandiru, he meets the future victims of one of the darkest days in Brazilian history.

Meet Sereia, a young and beautiful singer whose world of fame and fortune is interlaced with envy and hate. Her murder in the midst of carnival shocks the entire country and the hunt for her killer reveals a new suspect with each new day of investigation. Holding the status of a big-budget thriller, the miniseries brings about mysticism, sensuality and suspense that hooks the viewer until the astonishing end.

When the inmate Maria do Socorro Nobre reads an article about the Polish artist Franz Krajcberg in Veja magazine, she decides to write a letter to him. Socorro was sentenced to more than twenty-one years in a prison for women in Salvador, Bahia, while Franz is a tormented artist that lost his family and lived his childhood in a ghetto in Poland but survived the Holocaust. Franz moved to Brazil and recovered life wish living close to nature and inspires Socorro to dream with life again.

When witnessing a hit, Arandir, a newly married banker, tries to succor the victim, but the man, almost dead, has only time to make one last request: a kiss. Arandir kisses the man, but his act is spotted by his father-in-law Aprígio and photographed by Amado Ribeiro, a tabloid reporter.

Brazilian badlands, April 1910. Tonho is ordered by his father to avenge the death of his older brother. The young man knows that if he commits this crime, his life will be divided in two: the twenty years he has already lived and the few days he has left to live, before the other family avenges their son's death. He is torn between fulfilling his ancestral duty and rebelling against it, urged by his younger brother Pacu. That's when a tiny travelling circus passes through the vast badlands where Tonho's family lives.

In northern Brazil, Hermila patiently waits for her husband. However, he has abandoned her. Sexy, restless and resolute, she raffles off "a night in paradise" with herself. This beautifully-shot portrait doesn't shy away from the burdens of a young scarred woman, but it also celebrates her courage to live according to her own rules.

The sierras of southern Brazil, 1963. The son of an French man and a Brazilian woman, Tony is a young man with a profound love of cinema and poetry. After graduating from college he returns to his small town in rural Brazil, to find out that his father had left for good, back to France. Tony then looks for the company of his fathers friends in search of information and references of a lost male role-model. He becomes a school teacher and a male figure to kids, in an attempt to provide them with something he lacks himself. A series of developments lead him to a surprising final lead on his fathers' whereabouts and reasons for leaving.

During a time of political upheaval in Brazil, two strangers meet by coincidence in a foreign land and end up caught in the middle of a gem smuggling ring.

Lurdes is a mother of five who tirelessly seeks for Domenico, a child of hers who was sold by his own father 26 years ago; Thelma is an overprotective mother who finds out she has a terminal illness, and must race against time to make her dreams come true and prepare her son for a life without her presence; Vitória is a successful lawyer who sees the end of her marriage after countless failed attempts to have a baby and decides for adoption, but finds out she is pregnant during the process. In "A Mother's Love", the lives of these women are intertwined while they recognize themselves in the unconditional love provided by motherhood.

In 1940s São Paulo, Pedro’s tasked to retrieve his estranged brother André. André’s departure stems from a domineering father, an overly affectionate mother, and Pedro’s jealousy over the father’s favoritism. Further complicating matters is André’s unconventional relationship with their sister, Ana.

In this realistic and touching series told in an innovative format, seemingly independent plots intertwine to show how justice can sometimes be a personal matter.