Na Ilha

Tailor is a transgender cartoonist that shares in his web page other trans people’s experiences and their challenges in society. Film about transgender, made by transgender crew.

The trajectory of musician and comedian Mussum as vocalist of the group "Os Originais do Samba" and later in cinema and TV as a member of "Os Trapalhões", a group that revolutionized the way of making humor on Brazilian television.

Located at the intersection of disability and queerness, this documentary enriches, implicates, and breaks open the conversation around sexual life in the disabled community. This film does not shy away from the complexities and challenges of queer life, but rather embraces them and in doing so, illuminates how they impact one another and bring new dimensionality to the position of the body within them. Resisting a normative lens, this filmmaker uses the observational power of the camera to document the raw sexuality, fantasies, and erotic expressions of a wide array of subjects with rare candor and vulnerability. Embodied sexual explorations are balanced against interviews that in their frankness and insightfulness criticize and deepen the lacking conversation around this intersection in the wider discourse.

In this disarming and personal documentary, Gonçalves explores precisely what it is that is wrong with him. His physical disability is obvious, but doctors have never managed to provide a diagnosis. As he undergoes a series of tests, he paints a picture of his life today and looks back over his past, assisted by a vast collection of VHS videos, for which he sometimes provides commentary to explain the context.

The life of writer, journalist, and TV presenter Edna Savaget, who began her career as a police reporter at Rádio Nacional in the late 1940s and hosted television programs between the 1950s and 1980s.

Ugly, Me? is a film manifesto made from a workshop for actors called Characters in Search of a Movie, in 'La pa', 'Rio De Janeiro', extended to Paris and 'Kerala' (India). Multifaceted like a kaleidoscope, the characters appear in multi-screens scenes and sequences. The images were captured with different kinds of cameras and Ugly, Me? uses this sign of the variety imposed by independent production as language experimentation. Transposing the boundaries of style, Ugly, Me? navigates in a sea of metaphors, philosophical and musical politics, from Prince Harry to Heraclitus, going through a series of authors like Rimbaud, Brecht, Nietzsche, Bispo do Rosario and Eduardo Viveiros DE Castro, capturing a contradictory and original country.

Dom Angélico was born into a poor family and distinguished himself by supporting the social movements that emerged in the late 1950s. He was the bishop of the oppressed and of the protest marches, a champion of the struggle for better housing and living conditions for workers. He led crowds at masses dedicated to human rights. In the realm of journalism, he kept communities informed through *Grita Povo*. Persecuted by the military dictatorship, he confronted the police and faced repeated arrests and threats, yet he never fell silent. Dom Angélico lived for 92 years, believing it possible to unite faith in God with political action for a better world.

Rocinha' inhabitants' daily lives and challenges, focussing on various personalities who face the favela's tough reality with courage and creativity. With collective direction, it shows the power of art as social transformation and cultural resistance.

A feature-length musical documentary about the history of the celebrated musician couple Flora Purim and Airto Moreira, who helped shape the global music scene from the 1970s onward as pioneers of jazz fusion. Set against a present-day recording session, the film interweaves the artists’ personal and professional lives, past and present.

A celebration of the centenary of the writer, journalist and democracy activist Antonio Callado. The documentary describes the life story and works of this writer who always sought to understand Brazil. In the early days, he believed in the myth of a country focused on its origins, on the Indians and the fight for freedom. Afterwards, he recognized that he had lived a useless passion and became disenchanted. But his work has the characteristics of a continuous account of the struggles of the common man, in search of love and a better life.

In 2018, Brazil’s 1988 Constitution turned thirty. Known as the Citizen Constitution, it was a landmark in the history of Brazil, the outcome of across-the-board engagement of society in its preparation. In Congress, the parliamentarians best known for their involvement in this initiative were names that are still familiar today in Brazil’s political history: Ulysses Guimarães, Teotônio Vilela, Tancredo Neves and Nelson Carneiro.

Partner of Aldir Blanc and creator of the Samba do Trabalhador, Moacyr Luz is followed by Tarsilla Alves' cameras for a week. A seasoned bohemian, we follow Moacyr's wanderings, filled with plenty of booze, gatherings with friends, and beautiful sambas that qualify him to be called the "ambassador" of the capital of Rio de Janeiro.

The film portrays the power of the collective that transforms people marked by the barriers imposed by HIV and follows six HIV-positive characters in different social contexts.

Seven doctors and public health specialists accept the mission to fight the pandemic, working voluntarily. This unforeseen task in the careers of Paulo Chapchap, Maurício Ceschin, Gonzalo Vecina, Drauzio Varella, Sidney Klajner, Eugênio Vilaça and Pedro Barbosa is commented on by them. In addition to following this committee, the documentary brings reports from frontline professionals, working in São Paulo and Manaus, about the experience of going to Covid-19 to take care of patients and the elderly.

In a Brazil measured 6×1, Girassóis follows the daily life of Zé, an elderly Black man who is still forced to work. Portraying the harsh reality that burdens Brazilian workers, the story reflects on the challenges of labor—from the daily grind to its impact on family relationships and the fading hopes for a hostile future. Loosely based on true events.