Jordana Berg

What if it were possible to travel back in time to dream of other futures? In the hinterlands of Brazil, young girls navigate the delicate transition from childhood to adolescence while grappling with social media, religion, their dreams, and the stories of the women who came before them. By inventing a time machine, they revisit the pasts of their mothers and grandmothers and imagine a future in which they can be free, fulfilled, and in control of their own choices.

Women share their innermost secrets and intimate experiences inside an Estonian smoke sauna. Cleansing their bodies and baring their souls, they embrace the healing power of sisterhood.

The film is the life of a woman from birth to death. All scenes will be real. The character will be lived by several people, of different ages, in different regions of the country. Filmed as a documentary, it will be transformed into fiction through the manipulation of images.

Through deep examination, this documentary from Oscar nominee Petra Costa explores the profound impact of evangelism on Brazil's political landscape.

For two decades, Cine Marrocos, a movie theatre in the heart of São Paulo, was one of the most popular and opulent of the city. After it was closed, in 1972, it was occupied by a homeless workers' movement. The documentary tells the story of the people who lived there, alternating scenes from an acting class with those of the movies exhibited there in the past.

What makes a free woman choose a prisoner to develop a loving relationship? “The Visit” is a film about love in this special condition. Among the characters, some met their partners in the penitentiary; others had been visiting their husbands for decades. They feel valued by them and say they are well loved. They are women who insist on a relationship full of constraints and privations, even suffering various consequences of this option on a daily basis. In this film the prison universe is almost exclusively present in the report of the women, and never from the point of view of the husbands.

The historical, political, and social context of Brazil in the 1960s, 1970s, and 1980s, and the impact of each decade on the life and work of the acclaimed actress Marília Pêra.

Documentary on poor people living in a slum in Rio de Janeiro, on the occasion of New Year's Eve of 1999.

Discover the history of the Chic Show ball, an iconic black music party in São Paulo. The event was a milestone in the life of São Paulo. Held in halls across the city in the 1970s and 1980s, the show became a meeting point for black culture and opened up space for funk, soul, rap and pagode, among other rhythms. The party welcomed names such as Tim Maia, Sandra de Sá, Gilberto Gil, Djavan, Bebeto and Carlos Dafé, as well as international artists such as Kurtis Blow, Betty Wright and James Brown.

Three Brazilians live different stages of the same choice: to be a warrior in a great army of a foreign nation. Discover stories of characters who have enlisted in the Foreign Legion, Israel and the United States.

Documentary on ethnic relations in Brazil.

Today, one third of Brazilian children are overweight. This is the first generation to introduce diseases previously restricted to adults, such as depression, diabetes and cardiovascular problems. This documentary examines the case of childhood obesity in the country especially, but also in other countries in the world, interviewing parents, school representatives, and government officials responsible for food advertising.

Considered one of the main Brazilian intellectuals, Heloisa Buarque de Hollanda — a member of the Brazilian Academy of Letters — left important marks on national thought and continues to be, at 84 years old, an active voice on the country's cultural and behavioral issues. The documentary sheds light on the trajectory of this icon who has always been at the forefront, serving as an antenna and beacon for cultural and social movements that are to come, while delving into Heloisa's intimacy thanks to the access of her eldest son, director Lula Buarque de Hollanda.

A tragic hostage case from 2008 Brazil unfolds through unseen diary entries, family interviews, and media coverage, as a 15-year-old girl is held captive by her ex-boyfriend for 100 hours while TV networks broadcast it live.

Eami means ‘forest’ in Ayoreo. It also means ‘world’. The story happens in the Paraguayan Chaco, the territory with the highest deforestation rate in the world. 25,000 hectares of forest are being deforested a month in this territory which would mean an average of 841 hectares a day or 35 hectares per hour. The forest barely lives and this only due to a reserve that the Totobiegosode people achieved in a legal manner. They call Chaidi this place which means ancestral land or the place where we always lived and it is part of the "Ayoreo Totobiegosode Natural and Cultural Heritage". Before this, they had to live through the traumatic situation of leaving the territory behind and surviving a war. It is the story of the Ayoreo Totobiegosode people, told from the point of view of Asoja, a bird-god with the ability to bring an omniscient- temporal gaze, who becomes the narrator of this story developed in a crossing between documentary and fiction.

Carlos Eugênio Paz recalls his participation in the armed struggle against the military dictatorship between the 1960s and 1980s. Using the code name “Clemente”, he participated in the National Liberation Alliance and in several urban actions. Through her own testimony and that of her fellow fighters, director Isa Albuquerque builds a portrait of a troubled moment in Brazilian history and of an entire generation that fought for their country's democracy.

Nheengatu – The Language of the Amazon takes us on a journey along the Negro River, on the trail of this language imposed on indigenous people by the first Portuguese colonialists who landed in Brazil in the 15th century. Throughout the various encounters with local communities that still speak this language, the director faces the different cultural, historical and social issues that confront tradition and future.

Six people, one family, ten years later. Dois Tempos resumes the narrative of the lives of the Braz, created in 2000, in the documentary A Família Braz. In 2010 the same directors return to the same house to update the portrait of the six characters. A decade later, what has been done with your expectations of the past, how you live life in the present and what to provide for the future.

An accident involving a flying manhole cover leads to a chance meeting between two childhood friends: a widow and the owner of a beauty parlor. Thus begins an entertaining game of seduction that brings memories and hidden desires to the surface - furtive passions that end up threatening the hairdresser's de facto marriage.

An intimate portrait of Preta Gil, crafted from never-before-seen footage and moving testimonials that reveal her strength in the face of life and illness.

The São Francisco River crosses the Brazilian hinterland, lands marked by extreme aridity. This great river that was once impetuous and generous is now very fragile. Deforestation of its margins and overexploitation of land by intensive agriculture endanger the great diversity of its ecosystem. The lives of riverside dwellers are affected in its deepest integrity, as well as their areas. The São Francisco River is the vital flow of their existence and the central place of their hopes and imagination, but the general feeling is that if the river dies, everything will disappear with it. Women are at the forefront of resistance. They struggle daily to allow for the possibility of a future. Their children also claim this identity, which it is up to them to renew and make fruitful.

The story of seven free women who remain captives in the name of love. In love with inmates, they live the limitations of the relationship and the hope of one day starting a family outside. The film addresses this universe through emotional confidences, letters lovingly decorated and a privileged access to the intimacy of the couples.

Continuing the exploration of the thin line between truth and performance, Eduardo Coutinho turns his attention to the drama generated during rehearsals for the Galpão Theater Company’s performance of Chekov’s The Three Sisters. As he shoots scenes from the play, Coutinho attempts to capture the very moment in which reality becomes fiction and vice versa—whether through the actors’ bodies and words or in backstage scenes of a performance that will exist only on film.

A cautionary tale for these times of democracy in crisis—the personal and political fuse to explore one of the most dramatic periods in Brazilian history. With unprecedented access to Presidents Dilma Rousseff and Lula da Silva, we witness their rise and fall and the tragically polarized nation that remains.

Using breakthroughs in technology and neuroscience, this series examines how environment affects infants - and how infants can affect our future.

Idolized medium João Teixeira de Faria rises to international fame before horrifying abuse is revealed by survivors, prosecutors and the press.

Nara Leão revolutionized Brazilian music, broke prejudices, confronted the military dictatorship, opened paths for women. All this without changing the tone of her voice.