Silêncio no Estúdio

A documentary amplifying the voices of women marginalized by Brazil’s penal system. It follows Érica and Núbia, who met in prison and forged a deep bond that endures beyond the bars. Now on parole, they recount stories of abuse, overcrowding, and the erasure of their identities as women. Lacking legal support, they confront these hardships with courage and humor. The film exposes the invisibility and neglect faced by incarcerated women, challenging sensationalist portrayals and urging empathy. It seeks to humanize their experiences, sparking debate about the cruelty and inefficacy of the penal system, and reclaiming the dignity of lives society too easily forgets.

In 1970, Brazil was in the throes of a military dictatorship that lasted 20 years. Persecutions, arrests, killings, kidnappings. The film Seventy rejoins 18 characters of this story, forty years later. The film mixes the excitement of revisiting the past with a vision, sometimes even good humored of everything they lived. Many years afterwards they relive their experience of pain, violence and survival, of rebuilding their own story and continuing to believe in the possibility of improving the world.

A celebration of the centenary of the writer, journalist and democracy activist Antonio Callado. The documentary describes the life story and works of this writer who always sought to understand Brazil. In the early days, he believed in the myth of a country focused on its origins, on the Indians and the fight for freedom. Afterwards, he recognized that he had lived a useless passion and became disenchanted. But his work has the characteristics of a continuous account of the struggles of the common man, in search of love and a better life.

In 2018, Brazil’s 1988 Constitution turned thirty. Known as the Citizen Constitution, it was a landmark in the history of Brazil, the outcome of across-the-board engagement of society in its preparation. In Congress, the parliamentarians best known for their involvement in this initiative were names that are still familiar today in Brazil’s political history: Ulysses Guimarães, Teotônio Vilela, Tancredo Neves and Nelson Carneiro.

The film portrays the power of the collective that transforms people marked by the barriers imposed by HIV and follows six HIV-positive characters in different social contexts.