And From Now On There Shall Be No More Wolves

Inhabited by bodies that question love and death to the limits of madness, that are heard but not seen, and vice versa, Camera Obscura reveals a particular form of appropriation of the work of French writer and filmmaker Marguerite Duras. From the intersection of writing, video and sound, and his usual experimentalism, Bonneville creates a film made up of ghosts and mysteriously hypnotic and sensory images.

About a boy, the main character, without a name. It is about a present moment in his life and a past one and the film goes back and forth, with flashbacks and images from the present.

An introduction to cinema made by Portuguese-speaking women, narrated by a fictionalized Bárbara Virgínia, the first Portuguese woman director.

An essay about disaffection in 7 segments inspired by Stendhal's seven stages of love, "De L'Amour" (1822). Most people are afraid of love because they are afraid of their deepest joy, delight and inner freedom.

Inspired by the mythology of "Boco do Inferno" and the magical practices of Crowley and his followers in "Boudoir", a closed woman in your room performs a ritual, like all rituals, will have its consequences.