Cláudio da Silva

Burma, 1917. Edward, a civil servant for the British Empire, jilts his lovestruck fiancée Molly the day she arrives to be married. As he flees into an unexpected odyssey across Asia, the free-spirited Molly-amused by his moves-follows in pursuit, embarking on a globe-trotting cat-and-mouse chase.

The misfortunes of Sofia, the exemplary Madalena and Camila, the troubled vacations of girls and boys, a few years later leading to the resolution of some mysteries, form the perfect trilogy by the Countess of Ségur on education, social, religious, and political power. Desire and its oppression, violence and punishment, in short, the terrible loss combined with inevitable growth. Both adults and children will understand that precepts, rules, and prayers can tear nerves and blood apart.

The tragedy and comedy in Carlos' life begins, grows and ends like the tragedy and comedy of Portugal. In the company of his close friend, João da Ega, allegedly a brilliant writer, Carlos, with his idle existence as an aristocratic doctor, spends his time to enjoying friends and lovers. Until he falls in love. She is a new character in this revolutionary novel. It's a vertiginous passion that goes beyond that past gloominess to reach a new and darker abyss, incest.

Based on a the short story "Low Flying Aircraft" by J.G. Ballard and set in a near future where humans are dying breed. Judite and André flee to a semi-abandoned apartment complex to protect their mutant child from certain death.

In an automated world, an old factory feeds on its own work force.

Ubu, instigated by his wife, murders King Venceslau and usurps the throne of Poland. Intoxicated by power, this grotesque and coward character conducts his reign in an absurd and cruel way, leading his kingdom to ruin. A cinematographic adaptation of Alfred Jarry’s play, a political satire that, cyclically, turns to the reality of world politics.

Luanda, Angola. The streets are deserted, the buildings empty and no ships leave the harbour. What's left are ghosts and memories. Concrete Affection – Zopo Lady is inspired by journalist Ryszard Kapuściński's descriptions of the last colonial days in Angola in 1976 and the exodus of Portuguese and white Angolans from Luanda.

A child prodigy, a talented pianist, who fears the gift he was born with. A father persecuted and tormented by the infernal memory of the colonial war and a luminous mother afflicted by an incurable disease. A grandfather and grandmother in exile on a small village and an anti-Salazarist, an unrepentant traveller who settles in Buenos Aires. A music teacher who teaches his students that being a musician is not a fate of guaranteed happiness and that there is a lot of pain in the human heart. The story of a Portuguese family that lived through dictatorship, colonial war and democratic revolution - the improbable and surprising threads with which individual destinies weave the collective destiny.

A Portuguese horror and fantasy anthology.

Fernando Pessoa, one of the greatest writers in Portuguese, created an immense parallel world and several heteronyms so as to endure the loneliness of genius. José Saramago, 1998 Nobel Laureate in Literature, has a heteronym, Ricardo Reis, return to Portugal after a 16-year exile in Brazil. 1936 is a perilous year with Mussolini’s fascism, Hitler’s Nazism, Spain’s Civil War and Salazar’s New State in Portugal. And Fernando Pessoa meets his creation, Reis. Two women, Lídia and Marcenda, are Reis’ carnal and impossible passions. “Life and Death as one” allows for literature and cinema.

Adventurer, pilgrim, penitent but above all outstanding writer, Fernão Mendes Pinto left us an unparalleled romance, the living and human palpitation of one of the greatest historical adventures of man.

Nuno is the son of divorced parents. He lives a nomadic existence with his father: he lost all his friends and never stays long enough anywhere to make new friends. Now Nuno has become a drug addict, he’s in hospital, in a coma struggling between life and death. His father and his father’s sister remain by his bedside. The three separately evoke requests from the past and other characters they meet also complement their current life experiences and memories. Based on the novel by António Lobo Antunes.

Lisbon, today. In a room of a house at Douradores Street, a man invents dreams and theorizes about them. The essence of the dreams itself becomes physical, palpable, visible. The text itself materializes in its musicality. And, in front of our eyes, this music can be felt with the ears, brain and heart. It spreads itself in the street where the man lives, in the city that he loves above all and over the entire world.

The darkness of night, a barely lit place, motorbikes flirting with danger: a group of teenagers at a crossroads playing chicken with unaware passing cars. Jota (Eduardo Frazão) stands out from this group, unclassifiable; his destiny has no straight lines save those on the asphalt. Jota lives in permanent conflict with everything and everybody in his small town. No room for stillness. And then comes Margarida (Ana Moreira). Jota has no inside, Margarida has no outside. In spite of, or because of, that, they meet. What can they do? They can just ride, they can get away with it even if its all messed up. Love is to be lived.

Mateus Lagoa and his wife Irene will celebrate their 20th wedding anniversary at a most luxurious resort on a tropical island, leaving their teenage son dangerously adrift. Before departure to paradise, during an unexpected night spent apart, the side effects of the vaccines strike them - fevers, fainting spells, shivers, hallucinations of all sorts. A melancholic mood creeps in and their world seems somehow fractured, capable of unsuspected and dangerous promises.

Alice, a recently widowed director, is alone on her grief after her daughter leaves home. Alice clings to the only structure she has, a fragile foundation at risk of collapsing: an essay film project, about first loves, dependent on funding. Suddenly we enter in another dimension, another place and without prior notice we are in the film conceived by the director.

Somewhere in an unspecified time, Patrick Mendes presents an initiation ritual in a community at the ends of the earth.

Ricardo Monteiro is a successful television producer specialising in reality shows. He is 45 years old and he has just received an award for the most popular television show of the year, when he receives an ultimatum from his 18-year-old daughter Leonor. If he does not come home that same evening to celebrate her birthday he will never see her again. Ricardo is distracted by business or other commitments and he is too late for the last flight home. When he returns next day the apartment is empty and Leonor is gone. At first Ricardo thinks that it is only a game, but there are no phone calls or messages and after a while he gets worried and starts looking for her. He discovers that she has quit school without telling him and that she has lost all contact with her old friends. She has become a complete stranger.

Organized like a dream, structured like a musical and with texts, both spoken and sung, that lead us to unexpected, chaotic and exciting situations, which try to grasp part of what the unattainable Alexandre O'Neill left us.

X, a film location scout, spend his time travelling from place to place looking for filming locations, at the same time that he's looking for funding for the film he wrote himself. In the middle of nowhere, as in the nowhere of his life, he stumbles on Y, the woman for whom he has been waiting all his life.

When almost everyone in their senses (or in their powers to do so so) has left a Western European Capital of millions of people under the threat of a colliding commet, a bar stays open in defyance. Two lovers are too self absorbed but not so much so that between drinks they cannot realise the barmen's infatuation with the lost girl who thinks she's just his last plaything and keeps playing jukebox songs (American/French-Italian/American) to that effect.

Documentary about Vale do Côa.

When the school year starts at Barra Secondary school, a big artistic contest is launched to find the new talents of tomorrow. All students are excited, but a string of mysterious disappearances preceded by cyberbullying will disturb this cheerful excitement and divide the students. Everyone has something to hide, so everyone could be the next one to disappear...

Showing life as it is... Alice is a surgeon who is forced to work with her ex-husband David, an anaesthesiologist who will incorporate the Surgical Team at the Santa Catarina Hospital in Lisbon. Vicente also works at this hospital in internal medicine. He’s married to Simone, who’s a vet at the Zoo. This couple will go through a messy divorce in which Vicente is in danger of losing custody of his children due to his affair with his colleague Alice. This series that follows the everyday lives of doctors fighting to save people's lives at a city hospital, but also the challenges and adventures of a team of veterinarians, biologists and zoo keepers who are committed to preserving their wildlife at the Zoo.

A Portuguese series, dealing with terrorism, crime, and the economical crises in Portugal.

Adaptation of Miguel Torga's iconic short stories. An intimate look at a rural community in the 1940s. Each chapter has its own protagonist, whose existence is untouched by modernity or the outside world. Five portraits of humble lives with enormous resistance to suffering - and a capacity for violence that, at times, proves impossible to repress.