Boudoir

Inhabited by bodies that question love and death to the limits of madness, that are heard but not seen, and vice versa, Camera Obscura reveals a particular form of appropriation of the work of French writer and filmmaker Marguerite Duras. From the intersection of writing, video and sound, and his usual experimentalism, Bonneville creates a film made up of ghosts and mysteriously hypnotic and sensory images.

About a boy, the main character, without a name. It is about a present moment in his life and a past one and the film goes back and forth, with flashbacks and images from the present.

An introduction to cinema made by Portuguese-speaking women, narrated by a fictionalized Bárbara Virgínia, the first Portuguese woman director.

An essay about disaffection in 7 segments inspired by Stendhal's seven stages of love, "De L'Amour" (1822). Most people are afraid of love because they are afraid of their deepest joy, delight and inner freedom.