Far From Paradise

The naive sailor Ron arrives in Bahia to visit the famous Água dos Meninos street market. There, however, he is passed behind by the prostitute Maria, lover of the bandit Chico Diabo, who stabs him. He, however, can't forget her.

A girl from the countryside goes to the city of Belém to take part in the Círio de Nazaré celebrations. Led to prostitution, she wishes to move to the wealthiest Southeast region of Brazil. In a dance club, she meets a truck driver that transports wood. Dreaming with the big city, she asks for a ride, and the two begin a journey through the Trans-Amazon road. In tension with the Brazilian military authorities of the time, the film registers several aspects of the Amazon social tragedy – forest fires, slave work and child prostitution. Awarded in several international festivals, the film was forbidden by Brazilian censors. It was only released years later, winning the Brasília Film Festival in 1981.

Yesterday, the inhabitants of the Nordeste had to abandon their land for lack of water. Today, floods are driving them out... Deprived of their roots, the people continue to remain faithful to their traditions and beliefs, while progress is imposed by the power of money.

In Rio de Janeiro's bohemian district called Lapa, during the '40s, a stylish and popular scoundrel exploits a cabaret singer, and earns his living by means of petty swindles. But then he meets Ludmila, the cabaret owner's daughter, who wants to get rich smuggling goods in times of war.

The adventures of a gang of thieves and murderers led by violent Caveirinha. A radical disruption proposal from the postulates of the Cinema Novo, a film with a loose narrative structure. Through the actions of a group of outlaws, the director sews in scenes that propose iconoclasm and elation as forms of opposition to the military dictatorship oppression.

A gunman is hired to kill a corrupt politician. However, the agreement is canceled. Despite being a hired killer, the man takes his job seriously and prefers to go to the end.

Our planet was contaminated by many nuclear explosions that left the soil and the air filled with radiation, and now the few survivors of those catastrophic events live under the ground on a shelter controlled by scientists. After an incident inside the shelter, a group of rebellious scientists defy their leadership when they find a good possibility of returning to the surface.

Documentary about Brazilian filmmaker Glauber Rocha, one of the most important names in the Cinema Novo, with interviews with some of his friends and colleagues.

In the beginning of the 20th Century, in the Northeast of Brazil, one of the first Brazilian industrialists is persecuted because he refuses to sell his business to a British company.

In the 1940s, São Paulo nightlife is the setting for Tezinho's love affairs. In love with Aninha, he needs to get away from the girl and ends up getting involved with other women, including an obsessive relationship with a prostitute.

The film warns us about the world's water crisis and the international greed for the Amazon Forest, the largest fresh water reservoir on the planet. In addition to concentrating 20% of the world's drinking water, the Amazon is the region with the greatest chance of maintaining its water sources in the next decades, thanks to the humidity of its forest.

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

As Carmen prepares to marry for the fourth time, her three sisters find themselves juggling romantic predicaments of their own in this offbeat comedy from Brazil.