Bertrand Duarte

It begins in 1983 in Salvador city, with the attack against José, an ex-member of a left-wing political group. Meanwhile, his nephew Adonias is worried about an assignment his teacher has given him. Consequently, Adonias has to deal with his family's suffering, conflicts at school, and the anguish of having to write his school essay.

The film tells the saga of Guima, a young poet who believes he suffers from “solar ultra violence” during the hottest summer in 50 years in Salvador. The alleged disease is caused by the relentless heat that hits the city. Under the marginal eyes of Guima, in a mix of reality and fantasy, the film presents a tropical/chaotic Salvador, as opposed to the stereotypical city seen in postcards, on a journey of a search for a redemptive air conditioning that can rid this contemporary antihero of what suffocates his existence.

On a same night, five people from a small country town have the same nightmare. Upon the arrival of a pilgrim, the village is taken off its mediocre routine and the characters are thrown on the vortex of an uncommon situation. Each one’s truth will come to light, releasing them of the wicked hypocrisies, fears and diseases, compelling them to take control of their fate and rewrite their life.

Lúcio comes back home drunk and tired after a party late into the night and has a fight with his wife, Terezinha. Then, a butler shows up at their door to inform them Terezinha's mother has died.

Upon removing his father from his memories, Mauro is dematerialized.