A Grande Feira

Willing to do anything to succeed in an artistic career, and roused by her own mother, the TV go-go girl Zelinda tries to seduce the director of the studio where she works.

Two women from Méier, a suburban neighborhood of Rio de Janeiro, marry wealthy men who suddenly become millionaires. Displaced from their original social background and unsuited to wealth, the two wives must devise a plan to, acting like socialites, win over high society and win back their husbands.

After years lost in a ingrate job, Hugo decides to take a drastic measure: to compensate for the time he lost, he will rob the bank in which he worked all his life. Everything goes well in the execution of the plan, but the appearance of the firm's cleaner can put everything to waste.

A middle-aged man builds a summer house in Cabo Frio, Rio de Janeiro. Married to a beautiful woman, father of two and with a successful career, the house is a symbol of his personal achievements. But as the wind, the salt and the sand threaten to invade the breaches of the house, their marriage begins to crumble. And, like a bad omen, a mysterious murder takes place in the vicinity.

In Bahia, an educated black man returns to his home fishing village to try and free people from mysticism, in particular the Candomblé religion, which he considers a factor of political and social oppression, with tragic outcome.

A gunman is hired to kill a corrupt politician. However, the agreement is canceled. Despite being a hired killer, the man takes his job seriously and prefers to go to the end.

Our planet was contaminated by many nuclear explosions that left the soil and the air filled with radiation, and now the few survivors of those catastrophic events live under the ground on a shelter controlled by scientists. After an incident inside the shelter, a group of rebellious scientists defy their leadership when they find a good possibility of returning to the surface.

Couple of lovers want to steal the income of a popular soccer game, at Maracanã Stadium, in Rio de Janeiro.

This controversial film from director Glauber Rocha records the funeral of his friend, major Brazilian painter Emiliano Di Cavalcanti.

Two young farmers are visited by a stranger who wants to spend the night.

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.

In 1987, in Goiânia, two paper collectors find a radioactive capsule and sell it to the owner of a junkyard. Once the capsule is opened, more than 250 people end up contaminated by the substance called Cesium 137, being the biggest radiological accident in the history of Brazil.

In a fictitious country, a civil servant receives the greatest inheritance in history (ten trillion dollars) and is confined by authorities to prevent a collapse of the world economy. But he manages to escape.