Through Ernesto's Eyes

A fifteen-year-old girl is beaten by her father and seeks shelter at a friend's house. Between tears and sobs, she watches her friend's father. He feels sorry for a child, but she is a woman. Tonight, they will have to discover the difference between passion and compassion.

Two straight (but not really) guys invite two naive (but not really) prostitutes for a night of sex. In the preliminary conversations, a little poetry, a lot of philosophy and heavy doses of vulgarity, all with Beethoven in the background. But when it comes to sex, the truth comes out.

Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. As the matriarch of a big family, she is involved in the daily lives of her children, grandchildren and other relatives. Undeterred by the typical problems of old age, she uses her many years of experience to solve problems in the best way possible.

A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.

Is the country of the future where children get pregnant? Is the largest Catholic country in the world where more than thirty thousand women die as a result of abortion? Is the 10th largest economy on the planet where 27% of women are sterilized? VENTRE LIVRE tells the story of Vera, Ivonete, Carmen, Denise, Maria do Carmo, Marlove - people who were born in the country with the most unequal income distribution on the planet. A documentary about reproductive rights in Brazil, while the future is not yet here.

Three minutes. The time to leave a message. To pass the baton and run 1600 meters. To cook an egg. The time to make a decision that can change your life.

40 years after fighting for what he thought was new and revolutionary, a former anonymous militant against the now fallen Brazilian dictatorship is accused of being conservative, antiquated and anachronistic by his own son.

In the same house, on the same night, two groups meet. One, made up of very serious gentlemen, members of a religious-monarchist order. The other, a bunch of crazy people in animal costumes, at a party with sex and rock’n’roll. When the storm starts and the lights go out, anything can happen.

Hilário Pestana, the most famous, funniest and, ironically, saddest Brazilian actor, has died. He has passed through many stages of Brazilian cinema: the chanchadas, the Vera Cruz classics, the pornochanchadas, and even experimental movies. He was beloved by the public and had a gift for laughter, but he only desired to be a serious man.

A bourgeois housewife's life is shaken by a series of anonymous letters that she periodically receives, increasingly obscene. At first, she believes the sender to be a complete stranger, then she begins to suspect her husband's friends. But she doesn't dare talk to her husband about the letters or their contents: she remains anxious, thinking about suicide, and always waiting for the postman.

Bom Fim, in Porto Alegre, was a stronghold of the youth movement that took place between the 1970s and 1980s. The trajectory of the place is revisited through interviews with musicians and artists who lived those golden years.

Antônio, an 8-year-old boy, discovers that his neighbor Cristina, 80, tells different stories about her life, the names of her relatives and the saints of the day. And Mrs. Cristina believes that Antônio can help her recover her lost memory.

Thirty-eight years after the 1950 World Cup, a man went back in time to prevent the goal that defeated Brazil, destroyed his childhood dreams and ended goalkeeper Barbosa's career.

Éder is arrested after confessing the murder of a man. Duca, his nephew, is sure that his uncle confessed the crime to protect his girlfriend, Soraya, ex-wife of the deceased, so he enlists two of his friends to help prove his theory.

Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. At 85 years old, she pushes the limits of her age and does everything she can for her family and friends. Sweet Mother illustrates the everyday life of the elderly with clarity and levity, and shows that youth actually starts at 80. In the role that earned her the 2013 International Emmy® Awards for Best Actress, Fernanda Montenegro adds another success to her list of characters, which includes an Oscar nomination for the film Central Station.