Gabriela Poester

Rubem, a rideshare driver with no prospects, receives as inheritance the Pérola Motel, which he soon discovers is a dilapidated building. There, he meets Grace, a former employee who had stayed on living in one of the suites after the motel closed. Unable to sell the property and mired in debt, Grace and Rubem join forces to reopen the motel. Almost as a lark and with the help of Nalva, an internet whiz, they begin recording their guests and, to make some extra cash, selling the videos with identities masked to erotic websites. The scheme quickly becomes both lucrative and dangerous.

Porto Alegre innovates once again: it is the first city entirely outsourced to a megacorporation, Fratel. The cutting-edge company's smart management brings technological solutions aimed at bringing more security and efficiency to the city, which serves as a test model for other capitals. Téia and Nanã, however, are left out of all this innovation: elderly, lesbian, and cyclists, they see their freedom and rights increasingly limited by the corporation's interventions. They are left with only two options: adapt or outsmart the system.

A boy finds a body in the woods. Every stare turns to the body.

Dario is a psychologist who has recently began taking child patients again, after going through a traumatic experience. His first patient is Sofia, a girl who makes others around her feel disturbing sensations.

A destroyed and mysterious world where two female soldiers are on the edge of survival. Inclined to find an ally, they enter a building where every step indicates a path of death and ambushes.

The film tells the story of a man who was born in 1959 and died in 2070, told by people who knew him and somehow contributed to his trajectory.

Ernesto, a seventy-eight-year-old Uruguayan photographer living in Brazil, faces the limitations of old age. One day, Bia storms into his life. And Ernesto realizes that aging can be about rejuvenating with the company of a girl.